Hands under a black veil. The poem "She squeezed her hands under a dark veil ..." A.A.

That snake, curled up in a ball,

At the very heart conjures

That whole days like a dove

Cooing on the white window,

It will shine in the bright hoarfrost,

Feel like a left-handed man in a slumber ...

But faithfully and secretly leads

From joy and peace.

Can cry so sweetly

In the prayer of a longing violin,

And it's scary to guess

In an unfamiliar smile.

Tsarskoye Selo

And the boy who plays the bagpipes

And the girl who weaves her wreath,

And two crossed paths in the forest,

And in the far field a distant light, -

I see everything. I remember everything

Lovingly meekly in the heart of the shore.

Only one I never know

And I can't even remember anymore.

I do not ask for wisdom or strength.

Oh, just let me warm myself by the fire!

I'm cold... Winged or wingless,

The merry god will not visit me.

Love conquers deceitfully

The melody is simple, unskillful.

Still so recently-strange

You were not gray and sad.

And when she smiled

In your gardens, in your house, in the field,

Everywhere you seemed

That you are free and at will.

You were bright, taken by her

And drinking her poison.

Because the stars were bigger

After all, the herbs smelled differently,

Autumn herbs.

Autumn 1911

clenched her hands under dark veil…

"Why are you pale today?"

- Because I am tart sadness

Got him drunk.

How can I forget? He walked out, staggering

Mouth twisted painfully...

I ran away without touching the railing

I followed him to the gate.

Breathless, I shouted: "Joke

All that has gone before. If you leave, I'll die."

Smiled calmly and creepily

And he said to me: "Don't stand in the wind."

Kyiv

Yellow grass.

The wind blows with early snowflakes

Barely.

It no longer flows in narrow channels -

Water freezes.

Nothing will ever happen here

Oh never!

Willow in the empty sky flattened

Fan through.

Maybe it's better that I didn't

Your wife.

The memory of the sun in the heart is weakening.

What is it? Dark?

Maybe! .. During the night he will have time to come

Kyiv

High in the sky a cloud was gray,

Like a squirrel skin.

He told me: "It's not a pity that your body

It will melt in March, the fragile Snow Maiden!”

In the fluffy muff, the hands went cold.

I was scared, I was kind of confused.

Oh how to get you back, fast weeks

His love, airy and minute!

I don't want bitterness or revenge

Let me die with the last white blizzard.

I wondered about him on the eve of Epiphany.

I was his girlfriend in January.

Spring 1911

Tsarskoye Selo

The door is half open

Lindens blow sweetly ...

Forgotten on the table

Whip and glove.

The circle from the lamp is yellow ...

I'm listening to the noise.

Why did you leave?

I don't understand…

Happy and clear

Tomorrow will be morning.

This life is wonderful

Heart, be wise.

You are quite tired

Beat quieter, deafer ...

You know I read

that souls are immortal.

Tsarskoye Selo

Like a straw, you drink my soul.

I know its taste is bitter and hoppy.

But I will not break the torture of prayer.

Oh, my rest is many weeks.

When you're done, tell me. Not sad

That my soul is not in the world.

I'm going down the road

Watch how the children play.

Gooseberries bloom on the bushes,

And they carry bricks behind the fence.

Are you my brother or lover

I don't remember, and I don't need to remember.

How light is here and how homeless,

Resting a tired body...

And passers-by think vaguely:

That's right, just yesterday she was a widow.

Tsarskoye Selo

I'm having fun drunk with you -

There is no point in your stories.

Autumn early hung

The flags are yellow on the elms.

Both of us are in a deceitful country

Wandered and bitterly repent

But why a strange smile

And frozen smile?

We wanted stinging flour

Instead of serene happiness ...

I won't leave my friend

And careless and tender.

Paris

A. Akhmatova is a special lyricist, a poet, endowed with the gift of penetrating into those nooks and crannies of the human soul that are hidden from prying eyes. Moreover, this soul, rich in feelings and experiences, is female. Main Feature her work is considered to be the creation of a fundamentally new love lyrics revealing to the reader the original character of a woman.

The poem "She squeezed her hands under a dark veil ..." was written by Akhmatova in 1911, during her early creativity. It was included in the first poetic collection of the poet "Evening", reflecting the ideological orientation of the book as a whole. At the beginning creative way Anna Andreevna participated in the poetic association "Workshop of Poets", recited her poems on the "tower" of Vyacheslav Ivanov, and a little later joined the acmeists. Belonging to the acmeist direction is reflected in her lyrics, especially in the collection "Evening", in which the main theme is a love drama, a clash of characters, often turning into a demonic game. Tragic motifs, contrasting images, their objectivity - all this is characteristic of both acmeism in general and Akhmatova's work.

“She squeezed her hands under a dark veil ...” - a poem written by Akhmatova a year after their wedding with Nikolai Gumilyov. It does not have a dedication, but it is an ideal example of psychological lyrics, reflecting aspects of complex human relationships and personal experiences.

In 1911 - 1912. Akhmatova travels around Europe. The impressions from the trips influence the poems of her first collection, imprinting on them the imprint of disappointment and rebellion, characteristic of the romantic worldview.

Genre, size, direction

“She squeezed her hands under a dark veil ...” - a work lyrical genre, which is characterized by the transfer of subjective impressions and experiences, a reflection of the fullness of feelings, built on emotionality and expression.

The poem is written in anapaest - three-syllable poetic size with stress on the last syllable. Anapaest creates a special melody of the verse, giving it a rhythmic originality and dynamics. The type of rhyme is cross. Strophic division is carried out according to the traditional pattern, representing a quatrain.

Akhmatova's work falls on the first half of the 20th century, conventionally called the Silver. In the 1910s. developed a fundamentally new aesthetic concept in literature and art, called modernism. Akhmatova belonged to the acmeist movement, which became one of the main in the modernist direction. The poem “She squeezed her hands under a dark veil…” is written in the traditions of acmeism, it reflects the drama of feelings through the specifics of things, creating a subjective image based on dynamic details.

The image of the heroine

The lyrical heroine of the poem is experiencing a love drama, which she herself unwittingly leads to a tragic denouement. It is not known who is to blame for the breakup, but the heroine blames herself for the departure of her lover, noting that she “drank” the heart of her beloved with sadness, causing him pain.

The poem has a plot, because it is filled with movement, both spiritual and physical. Repenting for what happened, the heroine recalls the face and movements of her lover, full of suffering. She seeks to stop him by running down the stairs "without touching the railing". But trying to catch up with the departing love only exacerbates the pain of loss.

Having called out to the hero, she admits with all sincerity: “Everything that was a joke. If you leave, I'll die." In this impulse, she shows the full strength of her feelings, which she refuses to let go. But he dismisses the possibility of a happy ending, throwing her an insignificant phrase in response. fading away love relationship inevitable, because her guilt before the hero is too great. In the final remark of her beloved, the heroine hears, though bitter, but calm indifference. The dialogue of heroes becomes, probably, the last.

Genuine tragedy of images and situations gives color scheme and image dynamics. Events follow each other with the accuracy of frames, each of which has a detail that determines the state of the heroes. Thus, the deathly pallor of the heroine comes into contrast with the "black veil" - an ornament that symbolizes grief.

Topics and issues

The theme of the poem is undoubtedly love. Akhmatova is a master of love lyrics containing deep psychologism. Each of her poems is a brilliant composition, in which there is a place not only for personal perception, but also for the storyline.

“She squeezed her hands under a dark veil ...” - the story of the breakup of two loving people. In a small poem, Akhmatova raises a number of issues related to human relationships. The theme of parting leads the reader to the problem of forgiveness and repentance. Loving people it is common to hurt each other in a quarrel with offensive and cruel words. The consequences of such recklessness can be unpredictable, and sometimes sad. One of the reasons for the parting of the heroes is resentment, the desire to hide true feelings under the guise of indifference to the grief of another. Indifference in love is one of the problems of the poem.

Meaning

The poem reflects the impossibility of finding happiness and love harmony where misunderstanding and resentment reign. The insult inflicted by a loved one is experienced the hardest, and mental stress leads to fatigue and indifference. Akhmatova's main idea is to show the fragility of the love world, which can be destroyed with just one wrong or rude word. The inevitability of a tragic denouement leads the reader to the idea that love is always the acceptance of another, and hence forgiveness, the rejection of selfishness and ostentatious indifference.

The poetess, who became one of the symbols of her generation, for the first time showed the universal character of women's feelings, their fullness, strength and such dissimilarity to the motives and problems of male lyrics.

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It is very difficult to emotionally read the lyrical verse “She squeezed her hands under a dark veil” by Anna Andreevna Akhmatova. It is deeply dramatic. The action described in it is happening rapidly. Despite the fact that the work consists of only three quatrains, it gives a story about the whole story of two people in love, namely about their parting.

The text of Akhmatova's poem "She clenched her hands under a dark veil" was written in January 1911. Oddly enough, it was not dedicated to Nikolai Gumilyov, although Anna Andreevna had been married to him for a year now. To whom was this poem dedicated? This still remains a mystery to many researchers, because the poetess was faithful to her husband throughout her marriage. We will never know the answer to this question. We can only speculate. Perhaps Akhmatova herself created the image of this lover and constantly wrote poetry to him. This work tells about how two people in love part after another quarrel. Anna Andreevna does not name the reason for what happened, but with the phrase “she made him drunk with tart sadness,” she makes it clear to the reader that it was the girl who was to blame for her. She regrets what she said and wants to return her lover. She runs after him, asks to return, screams that she will die without him, but it's all useless. Due to the fact that Akhmatova uses a large number of means of artistic expression, it becomes easier for us to understand how hard it is for the heroes of the poem at this moment, what feelings they experience.

The poem is required to be studied at school in the literature lesson in grade 11. He, like another poem by Akhmatova, “The Song of the Last Meeting,” is asked to be taught at home. On our site you can read it online in full or download it to your device absolutely free of charge.

She clasped her hands under a dark veil ...
"Why are you pale today?"
- Because I am tart sadness
Got him drunk.

How can I forget? He walked out, staggering
Mouth twisted painfully...
I ran away without touching the railing
I followed him to the gate.

Breathless, I shouted: “Joke
All that has gone before. If you leave, I will die.”
Smiled calmly and creepily
And told me: "Don't stand in the wind"

The poem "She squeezed her hands ...", like many other works by Anna Akhmatova, is dedicated to the difficult relationship between a woman and a man. This essay will detailed analysis this poignant poem. It tells about the fact that a woman who offended her lover and decided to part with him suddenly changed her mind (and this is the whole female nature, isn't it ?!). She runs after him and asks him to stay, but he only calmly replies, "Don't stand in the wind." This leads a woman to a state of despair, depression, she feels incredible pain from parting ...

The heroine of the poem is a strong and proud woman, she does not sob and does not show her emotions too violently, her intense feelings can only be understood by her hands clenched "under a dark veil". But when she realizes that she can really lose a loved one, she runs after him, "without touching the railing." It is worth noting that the heroine's lover also has a no less proud and self-sufficient character, he does not respond to her cry that she will die without him, and answers briefly and coldly. The essence of the whole poem is that two people with a difficult character cannot be together, pride, their own principles, etc. interfere with them. They are both close and at the same time different sides endless abyss ... Their confusion is conveyed in the poem not by a long conversation, but by actions and brief remarks. But, despite this, the reader can immediately reproduce in his imagination the complete picture.

The poetess was able to convey all the drama and depth of the characters' experiences in just twelve lines. The poem was created according to all the canons of Russian poetry, it is logically completed, although laconic. The composition of the poem is a dialogue that begins with the question "Why are you pale today?". The last stanza is the climax and at the same time the denouement, the hero's answer is calm and at the same time mortally offended by his everyday life. The poem is filled expressive epithets ("bitter sadness"), metaphors ( "I got drunk with sadness"), antitheses ( "dark" - "pale", "shouted out of breath" - "smiled calmly and creepily"). The size of the poem is a three-foot anapaest.

Undoubtedly, after analyzing “She clenched her hands ...”, you will want to study essays based on other poems by Akhmatova:

• "Requiem", analysis of Akhmatova's poem
• "Courage", analysis of Akhmatova's poem
• "The Gray-Eyed King", analysis of Akhmatova's poem
• "Twenty first. Night. Monday", analysis of Akhmatova's poem
• "Garden", analysis of the poem by Anna Akhmatova
• "Song of the last meeting", analysis of Akhmatova's poem