"The woman is created for a man, not a man for a woman" - such a postulate ...
In most modern cables, conductors are insulated different colors. These colors have a definite value and are not easy to be chosen. What is the color marking of the wires and how to determine where zero and grounding, and where is the phase, and we will speak further.
In the electrician it is customary to distinguish the wires in colors. It makes much easier and speeds up work: you see a set of wires of different colors and, in color, you can assume what kind of what is intended. But, if the wiring is not factory and did not do it, before starting work, it is necessary to check whether the colors correspond to the estimated intended purpose.
To do this, take a multimeter or tester, check on each conductor the presence of voltage, its size and polarity (this is when checking the power supply network) or simply nick it where and where the wires go and does not change the color on the way. So knowing the color marking of the wires is one of the necessary home master skills.
Color marking of ground wire
According to the latest rules, the wiring in the house or apartment should have grounding. Last years All household and construction equipment are produced with grounding wire. Moreover, the factory guarantee is preserved only under the condition of supplying power supply with a grounding.
In order not to be confused for the ground wire, it is customary to use a yellow-green color. The hard single-core wire has a green main color with a yellow stripe, and a soft stranded - the main field of yellow color with a green longitudinal stripe. Occasionally, copies with horizontal stripes can occur or just green, but it is non-standard.
Color of grounding wire - single-core and stranded
Sometimes there is only a bright green or yellow wire in the cable. In this case, they are used as "earthy". In the schemes "Earth" is usually drawn green. On the equipment, the appropriate contacts are signed by the Latin PE letters or in the Russian-speaking version they write "Earth". The graphic image is often added to the inscriptions (in the figure below).
In some cases, the "Earth" tire schemes and the connection to it is indicated by green
Neutral color
Another conductor, which is distinguished by a certain color - neutral or "zero". For him allocated blue colour (Bright blue or dark blue, occasionally - blue). In color schemes, this chain is also drawn by blue, signed by the Latin letter N. Signs also signed the contacts to which the neutral must be connected.
Neutral color - blue or blue
In cables with flexible stranded wires, brighter shades are used, and single-core rigid conductors have a shell of darker, saturated tones.
Phase coloring
With phase conductors are somewhat more complicated. They are painted in different colors. Already used - green, yellow and blue - and everyone else may be present. When working with these wires, it is necessary to be especially neat and attentive, because it is the voltage.
Color marking of wires: What color phase is possible options
So, the most common color marking of the phase wires is red, white and black. There may still be brown, turquoise orange, pink, purple, gray.
In diagrams and terminals, the phase wires are signed by the Latin letter L, in multiphase networks there is a phase number (L1, L2, L3) in multiphase networks. Page cables with several phases they have different color. So easier when wiring.
How to determine whether the wires are connected correctly
When you try to install an additional outlet, connect the chandelier, household appliancesYou need to know which it is a phase that is zero, and which is grounding. If the technique is incorrectly connected, and the careless touch to the current wires may end.
We must make sure that the colors of the wires are land, phase, zero - coincide with their wiring
The easiest way to focus on the color labeling of the wires. But not always everything is simple. First, in old houses, the wiring is usually monophonic - two or three wires of white or black. In this case, it is necessary to understand specifically, after which you hang tags or leave color labels. Secondly, even if the conductor is painted in different colors in the cable, and you visually you can find neutral and land, the correctness of your assumptions should be checked. It happens that when mounting the color is confused. Therefore, first recheck the correctness of the assumptions, then start work.
Special tools or measuring instruments will be needed for checking:
- indicator screwdriver;
- multimeter or tester.
You can find the phase wire using an indicator screwdriver, to determine zero and neutral need a tester or multimeter.
Check with indicator
Indicator screwdrivers are several species. There are models on which the LED is ignited by touching the metal part to the current parts. In other models, you need to additionally press the button. In any case, if there is a voltage, the LED is lit.
Using an indicator screwdriver, you can find phases. Metal part Touching the bare conductor (if necessary, they make it on the button) and see whether the LED is burning. Lit is a phase. It does not burn - neutral or land.
We work carefully, with one hand. The second to walls or metal objects (pipes, for example) do not touch. If the wires in the checked cable are long and flexible, you can hold them with a second hand for insulation (stay away from the rapid ends).
Checking with a multimeter or tester
On the instrument exhibit a scale that is a bit more alleged voltage in the network, we connect the probe. If you call a household single-phase network 220V, we put the switch to a position 250 V. One dipstick touches the bare part of the phase wire, the second to the estimated neutral (blue). If at the same time the arrow on the device is deflected (remember its position) or the figure lights the figure, close to 220 V. We do the same operation with the second conductor - which in color was determined as "land". If everything is true, the instrument readings should be lower - less than those that were before that.
In the event that there is no color marking of wires, you will have to go through all pairs, determining the purpose of the conductors according to the readings. We use the same rule: when the "Phase-Earth" pair of testimony is lower than when the Phase-Zero pair is called.
I recently resumed my lessons on drawing and painting, and I want to tell you about a combination of colors. In any situation, when it comes to color, there are successful and unsuccessful combinations of shades. Whether it is a manicure or clothes, drawn postcard or even the repair of the house - it is always important to choose a beautiful and interesting combination of colors.
With regard to clothing, it is even more important if you can paint the house and your favorite bedroom to some kind of shades, and to invite only close toes there, then the clothes are the most important social tool that allows us to make the first opinion about each other, and therefore it is impossible to allow Your clothes spoke about you wrong. How to choose good shades and pick up interesting couples? What rules on this account? How to pick up any tone with glitter?
A bit of theory
The easiest way to choose a suitable shade is to use the color circle. It is divided into 12 sectors, and it presents the main colors. Also, each sector is graded from the light (in the center) to the dark (along the edge). What can we withdraw from this circle?- White harmonizes absolutely with any tone and makes it brighter.
- Black will help dilute any ensemble and at the same time will give him depth.
- Complete complementary and similar color neighborhoods.
- You can withdraw triads, tetrads and squares.
it good combination, And most often they use many lines of clothing - they produce the same models in complementary shades, and then buying a purple blouse you can always choose a pistachio skirt to it (and vice versa).
Similar couple - Those that stand next to the color circle. Such couples are often found in architectural compositions. Surely you saw when the house was painted in light lemon, and architectural elements - slopes and eaves, balustrades and architects - green. It is also found that this solution is very often in accessories - for example, it is much easier to find yellow shoes with orange finish than yellow with blue or purple.
Triads, tetrads and squares - schemes that are derived from a special form in a color circle. For the triad, this is a triangle, for the tetrad - a rectangle, and the square says for himself.
Look at different color circles to understand the principle and you will never be mistaken in choosing successful shade.
Neutral
Neutral colors are called black, white and gray - they are suitable almost to everything, and look good together. However, it should be taken into account that man, from head to the legs dressed in black or gray - movietone, monochrome outfits have long become a sign of bad taste. IN summer period It is appropriate to be dressed in white from head to feet, but here to save brightness can help accessories - bag, shoes, bright decorations and details.Any combination of gray should be well balanced. As a rule, on sale rarely there are fabrics or accessories of a pure gray shade, most often the color has a cold or warm subton. Accordingly, picking up a combination of colors with gray, you need to watch:
- on gray heat;
- on the warmth of the selected colora;
- on the light of two shades and their compatibility.
Heat gray
Gray can be warm and cold.
Warm shades are better to combine with warm tones - yellow, orange, red, pink, crimson.
Cold gray looks perfectly if you add blue, lilac, green or blue to it.
The warmth of the selected color
Even yellow can be cold. It is best to choose those paints whose temperature corresponds to the main temperature of the colora. Warm yellow and cold blue look well with cold gray.Svetlota
This place that the selected color could take stretching from the very dark to the brief itself. Best of all, if gray does not compete with your partner. Can't choose? Choose the brightest shades or pastel colors, and it is better to refrain from dark.
Warm
Warm colors on a color circle are represented from yellow to violet. This is a pleasant gamma that raises the mood and gives the feeling of warmth and light. However, choose the color pairs here is not so simple. Naturally, when I'm talking about the neighbors of red or yellow - these are the combinations, where the color specified by me is the main one (that is, visually prevails).
The best combination of red - with white, blue and black. These are pure shades that worn kings and queens, this gamma (without black) is represented on Russian tricolor and flags of other states. Use clean shades, and then you will definitely be confident in your choice.
Interesting is a combination of burgundy color with shades of blue and gray. In general, any berry tone is suitable for burgundy. But the green tones are better to choose with a cold subtock.
Beautiful combination brown color with beige - it turns out a pleasant chocolate combination. Shades of cocoa and coffee, tea and milk, baking and ivory - Many combinations of colors with brown seek thoughts about desserts.
Naturally, warm tones are perfectly combined with each other - brown and light orange look great together, and the combination of red, orange and yellow was once ultra-fashionable.
Want to add to the combination of the highlight? Try complex tones. Combine brown with plum, beige and blackberry, warm ink and cold turquoise. Yes, do not forget about the combination of brown and mint color. The combination of mint and chocolate brings thoughts about the entertainment, pleasures and rest.
Like extravagant? Add a bit of deep shade accessories - for example, cobalt blue is well offenten orange or pink, and turquoise color looks good on the shades of yellow and green.
Cold
Cold colors are those that from green to purple. These are shades of grass and water, cool and refreshing, they bring peace and pacification. If you want to use cold shades in the interior, it is best to give preference to bright pure paint, the combination of which is very high with other colors.
The best combination for the house is dark blue with white and red. Moreover, the red should be a highlight, it should not be much, but the blue is better not to save.
My favorite shade is Turquoise, it is also called turquoise and beloved Tiffany. Turquoise color is well combined with the most different shades. You can pick up a warm pink and rich orange, which can be beautifully rejected by turquoise color. Interesting combination turquoise Tint It turns out to coral - the red-red palette emphasizes turquoise color.
It is also worth trying a combination of blue with a cold yellow and light green gamut, and the green tones will help the blue. In general, the combination of green with yellow and blue is classic for spring and spring holidays, so try to find your solutions in this color scheme (and do not forget to look at the color circle).
Try to pay more attention to the combination of green with other colors - this year Panton announced Greenery tint 2017, so sin does not get a pair of green items of the wardrobe and do not buy home several emerald decorations. By the way, beautiful combination Colors with green can pick up online - the color palette will be automatically.
Want to make interesting combinations purple color? Try bright cold tones - lilac, pink, green. Do not like deep purple? Try purple and lavender, and also do not forget about the lilac.
Different ideas
Can't figure out, in combinations of yellow color with other colors? Look at the original and classic schemes of combined shades.
Cool combination of yellow and lilac with purple, combination pink colour With yellow - such a combination of lilac and yellow with purple will be remembered absolutely to everyone.
In search beautiful schemes Based on brown with others? Save yourself these schemes - if the table is always at hand, you can choose all the tones to brown.
Remember that the combination of orange color with black is hot and roast!
But schemes on a combination of pink color with other shades and red with other colors.
Want to make a palette in the cold gamma? Then combinations of lilac color with cold colors - blue, emerald, blue and gray at your service.
Now you know about color combinations Almost also many, like professional artists, which means that you will definitely choose any combination of colors - at least for the perfect wardrobe, even for excellent repair!
Color range Color gamut is a series of harmonically interrelated shades of the color used in creating artistic works. Select warm, cold and mixed gamma. Cold color spectrum. This is a gamma obtained by using colors with a cold tint. Fig.1 Warm color spectrum. This gamma is obtained by using colors with a warm tint. Fig.2 Mixed or neutral color gamut (we combined these two concepts). This is an equilibrium in the composition of warm and cold (mixed) or lack of warm and cold (neutral) shades. It is important that the cold or warm shades will not be outweighted. Fig.3 Color composition Color composition is a combination of color spots (on a plane, volume form or in space) organized by any patterns and designed for aesthetic impression. Depending on the number of colors and shades of the flower composition, the following types of compositions are distinguished. one) Monochromia. One color tone is dominated in this composition (+ several neighboring colors perceived as shades of the main). Monochromia variants: color + shift by tone (on a little bit); Color + Achromotic color (white, black, gray); Color + crochet or care. What expresses the monochrome composition:
a) classic simplicity and clarity art language (Example: ancient Greek painting, red-grown and black and black vases). Fig.4 
b) strongly directed to a certain degree. This way of influencing is taken by the religion. Example: Icon Vladimir God's Mother, Savior Safety (see Fig. 5), and other icons, decoration of temples, Rembrandt (see Fig. 6). Fig.5 Savior Successful 
Fig.6 Rembrandt Harmens Wang Rhine Self Portrait 
c) focus on inner world (Painting China and Japan). Fig.7 Painting China 
Fig.8 Painting in Japan 
d) Old age, the extinction of vitality, tragedy (late Titian) Fig.9 Titian D) elder, cycling and ability. Examples: Heraldry, (not always), mass culture products. Fig.10. 
e) advertising. One, even if not very bright color Against the background of the monochrome composition strongly stands out. Fig.11 2) Polar composition. The dominant is a pair of contrasting colors of opposite (polar in color circle): the complementary of the 10-speed circle or a pair of contrasting colors out of 6-, 12-speed. The polar composition is only 2 colors. What expresses the polar composition: 
a) The effect of decorative, which is based on the physiological need of the eye of balanceing impressions. Ri.12. 
b) reveals opposition (figure background, big-small, good-evil, female man ...) Fig. 13 c) If the polar colors are saturated and are not given to harmony, i.e. dissected with each other, then such a composition is used to achieve conflict, tension, tragedy (expressionist painting) 3) Three-color composition. The basis of the three-color composition can be: - the triad of the main colors during their considerable mixture. This is red, green, blue. - Triad of the main colors in their subtractive mix. Red, yellow, blue. See Fig.14 - any three colors at the tops of the equilateral triangle inscribed in a 12-step circle. Example: red-orange, yellow-green, blue-purple. 
Fig.14 The three-color composition is considered the most complex type of color composition, because Its harder to harmonize. For perception, it is no less difficult, but nevertheless it is the most optimal type of color composition. It is used when: depicting the clothes of saints, to underline their holiness (red with blue, indicate their connection with the Lord, and the green hemp emphasizes their earthly origin). Multi-Flower. In this color composition, 4 and more chromatic colors dominate. Usually: red, yellow, green, blue. Or two major pairs from a 12-speed circle taken cross-crosswise. Used: - In nature, in the temples, in clothing (especially royal persons, although there are exceptions here) - where depicted a large number of figures and objects; where they seek to convey the "cospace" of the work, i.e. Where the work serves as a model of the world (temple, frescoes, large multifiguric icons with the image of God, sky, land, dungeon .., housing). - Where the world is scattered onto the splitting, chaos reigns or cheerful confusion (drunk brawd): fair design, carnival art, etc. Lightening with a shift to one color Tone
. This is a synthesis of multi-fission and monochromia. Example - landscape painting. Achromotic composition. It consists of white, black, and intermediate gray shades. It may include small stains of chromotic color. Used to detect shape, i.e. When there is a desire to focus on the form. Semiotic composition. Gray is replaced with brown. Task: Picture on one sheet 2 monochrome compositions. One in warm shades, another - in cold, use one color. Work examples Properly selected color scheme decor and finishes can transform any room, visually increasing its area and height, giving ease and airiness atmosphere. Favorite colors are incorrectly combined among themselves, can annoy, inhibition and spoil the mood. In order for the surrounding situation to please and create a positive attitude, we should use the advice of professionals for a harmonious selection and combination of colors.
To find out what rules should be guided when choosing color Gamma.We asked the Council of the Practitioner of Designer Maria Borovskaya.
For everyday wardrobe, things are usually chosen by the most pleasant colors and shades. Such clothes and accessories raise mood, give self-confidence, create a positive attitude. Therefore, the most common colors in the wardrobe should be used in creating the decoration of the room.
2. Law of three colors
There is a great many diverse colors and shades. Sometimes it is quite difficult to give preference to some color, because you like everything. However, it is necessary to decide on the most attractive three and combine them in different elements of the decor.
3. Color formula 60/30/10
To interior design The premises were completed and elegant, it is recommended to comply with the formula of color ratios 60/30/10:
- 60% should be given to the dominant color that will set the tone of the room. Usually in this color decorated walls and ceiling.
- 30% is an additional color, which paint furniture items.
- 10% is allocated to different shades that set the color accents with the help of small items of decor and accessories.
4. Different shades of the same color will give a special chic and elegance decor
Using only three colors when decomeling the room of a room can make it enough fadel and faceless. The combination of brighter and dark shades of the main colors will give the room personality and emphasize the exquisite taste of the owners.
5. Mandatory combination of warm and cold colors
To create a cozy room you need to complement saturated bright warm colors Light cold shades.
6. Color Circle - Flower Combination Guarantees
If there is no confidence that the colors selected independently will be perfectly harmonized and combined with each other, it is better not to risk and refer to the color circle system. Using this system, you can clearly define the colors that are harmonizing with each other, complementing each other and incomplicable combinations.
7. Different colors can visually change the size of the room.
When choosing a color gamut for the interior, it should be taken into account that different colors have different visual weight. The interior, weathered in bright or muted tones with small elements of the decor, a simple pattern in the finish, allows you to visually increase the room space, give it ease and airiness.
Bright colors, massive decor elements, large complex drawings visually reduce the room, deprive it of light and spaces. Therefore, similar options are permissible only in spacious premises.
8. Materials and fittings have their own color.
Some materials and fittings have their own specific color, shade, gloss, which cannot be changed. This feature should be considered when the final choice of small, sometimes minor decor elements. Incorrectly selected handles on furniture, frame frame or candlestick material can disrupt the harmony of the overall setting.
9. Proper combination of dark and bright shades
The most harmonious combination of dark and blonde flowers It has long created nature, the dark color of the earth and vegetation is at the bottom, and the light sky and the luminous sun at the top. This option is ideal for interior design when the floor and floor coverings Perform in more dark colorsAnd the walls and the ceiling are significantly lighter.
10. Create your own color palette
Sometimes very difficult to describe words needed color others or present a favorite shade in combination with other colors. Prior to the start of registration of the inner setting of the room, it is worth creating its palette of the most attractive colors. Featuring the most pleasant eye color and shades, create a catalog that can be worn with you when choosing furniture, finishing and fittings.
The main thing, remember that the correct combination of colors will make it possible to create an individual elegant interior.
When people talk about color harmonyThey estimate the impressions of the interaction of two or more colors. Painting and observation on subjective color preferences different people They talk about ambiguous ideas about harmony and disharmony.
For most color combinations, called "harmonious", usually consist of "harmonious", usually consist of some tones close to each other or from different colors having the same light. Basically, these combinations do not have a strong contrast. As a rule, the assessment of harmony or dissonance is caused by a feeling of pleasant-unpleasant or attractive-unattractive. Such judgments are built on personal opinions and are not objective.
The concept of color harmony should be withdrawn from the field of subjective feelings and transferred to the area of \u200b\u200bobjective patterns. Harmony is an equilibrium, symmetry of forces. 1/1) The teaching of the physiological side of the color vision brings us to solve this problem. So, if some time look at the green square, and then close your eyes, then in our eyes we will have a red square. Conversely, watching a red square, we will get it "return" - green. These experiments can be made with all colors, and they confirm that the color image that occurs in the eyes is always based on color, in addition to actually seen. Eyes require or generate complimentary colors. And it is a natural need to achieve equilibrium. This phenomenon can be called consistent contrast. Another experience is that we put the gray square of the smaller square on the color square, but the same brightness. On a yellow square, this gray square will seem light purple, on orange - bluish-gray, on red - greenish-gray, and green - reddish gray, on blue - orange-gray and on purple - yellowish-gray (Fig. 31 ... 36). Each color makes the gray take his consistent and simultaneous contrasts indicate that the eye receives the satisfaction and feeling of equilibrium only on the basis of the law on additional colors. Consider it also on the other side. The physicist Rumford first published in 1797 in Nikolson-magazine his hypothesis that colors are harmonious if their mixture gives white. As a physicist, he proceeded from studying spectral colors, in a section dedicated to color physics, it has already been said that if you remove any spectral color, suppose, red, from the color spectrum, and the rest of the painted light rays - yellow, orange, purple, blue and Green - collect with the help of a lens together, then the sum of these residual colors will be green, that is, we get the color extra to the withdrawn. In the field of physics, color mixed with its additional color forms a total amount of all colors, that is, white color, and the pigment mixture will give a gray-black tone in this case. Physiologist EVALD Gering owns the following remark: "The average or neutral gray color corresponds to the state of the optical substance in which dissimilation is the consumption of forces spent on color perception, and assimilation - their recovery is balanced. This means that the average grey colour Creates an equilibrium state in the eyes. " Goering proved that the eye and the brain requires medium gray, otherwise, with its absence, they lose calm. If we see a white square on a black background, and then let's see in the other direction, then in the form of a residual image you will see a black square. If we look at the Black Square on a white background, then the residual image will be white. We see in the eyes of the desire to restore the status of equilibrium. But if we look at the mid-gray square on a medium-gray background, there will be no residual image that differs from the mid-gray. This means that the medium-gray color corresponds to the state of the balance required by our vision.
The processes coming in visual perception cause relevant mental sensations. In this case, harmony in our visual apparatus indicates a psychophysical state of equilibrium, in which dissimulation and assimilation of the visual substance are the same. Neutral gray matches this state. I can get the same gray color from black and white or of two additional colors in the event that they include three main colors - yellow, red and blue in proper proportion. In particular, each pair of additional colors includes all three main colors:
red - green \u003d red - (yellow and blue);
blue - orange \u003d blue - (yellow and red);
yellow - purple \u003d yellow - (red and blue).
Thus, it can be said that if a group of two or more colors comprises yellow, red and blue in the appropriate proportions, then the mixture of these colors will be gray.
Yellow, red and blue are a common color totality.
The eye for its satisfaction requires this general color bunch, and only in this case the color perception reaches a harmonious equilibrium. Two or more colors are harmonious if their mixture is neutral gray. All other color combinations that do not give us gray, according to their nature become expressive or disharmonious. In painting there are many works with one-sided-expressive intonation, and their color composition, a stroke of view above is not harmonious. These works act annoyingly and too excitingly emphasized with persistent use of some kind of prevailing color. There is no need to argue that the color compositions must be necessarily harmonious, and when sulfur says that art is harmony, he confuses artistic means and objectives of art. It is easy to see that great importance It has not only the location of colors relative to each other, but also their quantitative ratio, as well as the degree of their purity and brightness.
The main principle of harmony comes from the conditioned physiology of the law of additional colors. In his work about the color, Goethe wrote about harmony and integrity: "When the eye contemplates the color, it immediately comes to an active condition and in nature inevitably and unconsciously immediately creates another color, which in conjunction of the collar contains the whole color circle. Every single color, thanks to the specifics of perception, makes the eye strive for universality. And then, in order to achieve this, eye, for self-satisfaction purposes, looking next to each color any colorless-empty space on which he could produce missing color. In this show? The main rule of color harmony. "
Color harmony questions also concerned the theoretical color of Wilhelm Ostvald. In his book about the basics of color, he wrote: "The experience teaches that some combinations of some colors are pleasant, others are unpleasant or do not cause emotions. The question arises, what determines this impression? This can be answered that they are pleasant to those colors, between which there is a natural connection, those. order. Combine colors, the impression of which we are pleased, we call harmonious. So the main law could be formulated like this: Harmony \u003d order .
In order to determine all possible harmonious combinations, it is necessary to find a system of order, providing all of their options. Than this order is easier, the more apparent or by itself there will be harmony. Basically, we found two systems that can provide this order: Color circles connecting colors with the same degree of brightness or dimming - and triangles for colors representing a mixture of one or another color with white or black. Color circles allow you to determine the harmonious combinations of various colors, triangles - harmony of colors of equivalent color tonality. "
When the ostelald claims that "... colors, the impression of which we are pleased with, we call harmonious," then he expresses his purely subjective understanding of harmony. But the concept of color harmony should be moved from the area of \u200b\u200bsubjective attitude to the area of \u200b\u200bobjective laws. When Ostvald says: "Harmony - order", offering the order of color circles as a system for different colors of the same brightness and color-tone triangles, it does not take into account the physiological laws of residual image and simultaneity.
The extremely important basis of any aesthetic color theory is a color circle, since it gives a flower arrangement system. Since the colorist artist works with color pigments, the color of the circle should be built according to the laws of pigment color mixtures. This means that diametrically opposite colors should be optional, i.e. giving gray color when mixing. So, in my color circle, blue should be against orange, and the mixture of these colors gives us gray. While in the color circle of ostelalid blue color is located against yellow, and their pigment mixture gives green. This is the main difference in the construction means that the color circle of ostelald cannot be used in painting, nor in applied arts.
The definition of harmony is laid the foundation of a harmonious color composition. For the latter, the quantitative relationship of flowers is very important. Based on the brightness of the main colors, Gothe brought the following formula of their quantitative relation: Yellow: Red: Blue \u003d 3: 6: 8. You can make a general conclusion that all pairs of additional colors, all combinations of three colors in a twelfth-in-room color circle that are connected to each other through equilateral or equifiable triangles, squares and rectangles are harmonious.
The connection of all these figures in the twelfth-in-room color circle illustrates Figure 2. Yellow-red-blue formed here the main harmonious sober. If these colors in the system of the twelfth color circle are connected to each other, then we will get an equilateral triangle. In this soberly, each color is presented with utmost strength and intensity, and each of them acts here in its typical genital qualities here, that is, yellow acts on the viewer as yellow, red - like red and blue - like blue. The eye does not require additional additional colors, and their mixture gives dark black and gray color. Yellow, red-purple and blue-purple colors combine the figure of an equilibrium triangle. Harmonious consonant yellow, red-orange. Violet and blue-green combined with a square. The rectangle gives an agronized combination of yellow-orange, red-purple, blue-violet and yellow-green.
The bunch of geometric shapes, consisting of an equilateral and equifiable triangle, square and a rectangle, can be placed at any point of the color circle. These figures can be rotated within a circle, replacing, thus, a triangle consisting of yellow, red and blue, a triangle, combining yellow-orange, red-purple and blue-green or red-orange, blue-violet and yellow-green.
The same experience can be carried out with other geometric shapes. Further development of this topic can be found in the section dedicated to the harmony of color consonance.
