How I got cancer. Rami Blekt Intro to number four...
I taught women to speak...
A. Akhmatova.
1912 can be called revolutionary in Russian poetry. At this time, the first collection of Anna Akhmatova, “Evening”, was released. After its release, critics unanimously placed this poetess next to the first poets of Russia. Moreover, contemporaries admitted that it was Akhmatova who “unquestionably holds the first place among Russian poets after the death of Blok.” After "Evening" followed "Rosary" (1914) and "White Flock" (1917).
All three of these collections of the poetess were devoted to one theme - love. The revolutionary nature of Akhmatova's lyrics was that she opened the universe to the world female soul. The poetess brought her lyrical heroine to the stage and exposed all her emotional experiences - her feelings, emotions, dreams, fantasies.
In her poems, Akhmatova not only created a universal female character. She showed him various forms and manifestations: a young girl (“I pray to the window beam”, “Two poems”), a mature woman (“How many requests ...”, “As simple courtesy dictates”, “Walk”), a cheating wife(“The gray-eyed king”, “The husband whipped me with patterned ...”). In addition, the heroine of Akhmatova is a homemaker, a harlot, a wanderer, an Old Believer, and a peasant woman. In her poems, the poetess also draws the fate of her sister and mother (“Magdalena fought and sobbed”, “Requiem” and others).
In the poem “We are all thugs here, harlots…” the lyrical heroine experiences the pangs of jealousy. Her love for the hero is so strong that it drives a woman crazy:
Oh, how my heart yearns!
Am I waiting for the hour of death?
And the one that's dancing now
It will definitely go to hell.
The heroine is trying to return the departed feeling. She wants to attract her lover with beauty: "I put on a tight skirt, To appear even slimmer." Or is the heroine already celebrating a wake for a departed love? After all, she perfectly understands that “windows are forever clogged”. Love is gone, you can't get it back. It remains only to yearn and wish for death, but nothing can be corrected.
And the poem “The boy said to me: “How it hurts!” depicts the opposite situation. The heroine of Akhmatova, a mature woman, inspired the love of a young man. The age of the heroine is indicated by her appeal to the young man - “boy”. Now this woman refuses love. She sees what she does young man unbearable pain, but can not do otherwise:
I know he can't handle his pain
With the bitter pain of first love.
How helplessly, greedily and hot strokes
My cold hands.
The contrast in the last lines of the poem conveys the intensity of the feelings of the characters. The young man “greedily and hotly” loves the lyrical heroine, the same one is cold to him.
In general, hands are a very significant detail in Akhmatova's lyrics. They are, in my opinion, a reflection of the soul, feelings and emotions of the characters. So, in the poem “She squeezed her hands under dark veil...” Akhmatova conveys all the grief of separation through this line. She clenched her hands under a veil - this means she squeezed her soul under the blackness of longing and misfortune. The heroine said something to her lover, confessed something to him. These words “drunk the hero with sadness. Realizing what she did, the heroine tries to return everything, because she cannot live without her lover:
Breathless, I shouted: “Joke
All that has gone before. If you leave, I'll die."
But... it's too late. The hero is already “poisoned” by sadness. His last words were casual and indifferent: "Don't stand in the wind."
Hands also play a large role in the poem “The Song of the Last Meeting”. In it, the heroine experienced a very difficult moment - parting with her beloved. Her condition conveys one, but very weighty, detail:
But my steps were light.
I'm on right hand put on
Left hand glove.
In general, in the life of the lyrical heroine Akhmatova, love plays a colossal role. This is the main thing both for her and for the poetess herself. But, unfortunately, in the lyrics of A. Akhmatova is very rare happy love. This feeling of the poetess is always bitterness, separation, sadness, the desire for death. We can say that the heroine of Akhmatova dies with each parting and is reborn with each new love in her life.
Another hypostasis of the lyrical heroine is a woman poet. She perceives her talent not as a gift, but as a cross that she must carry throughout her life. In the poem “Muse”, the heroine reproaches her “muse-sister”:
Muse! you see how happy everyone is
Girls, women, widows...
I'd rather die on the wheel
Just not these chains.
For the lyrical heroine, God's gift is the opportunity to live the life of an ordinary woman, not to honor the troubles and hardships of all women on earth. But such happiness is not available to the heroine. She must endure all the world's pain and express it in her poems.
In the poem “Song”, the heroine of Akhmatova is a simple peasant woman. Her harsh life, her heavy “torment-share” is drawn. The fate of this heroine is associated with the image of a quinoa, which was traditionally considered a sign of misfortune: “I sing about love - a quinoa field.” The voice of this simple woman, who has endured many troubles and grief, is intertwined with the voice of a woman poet. The key image of the last stanza of the poem is "a stone instead of bread." This is an “evil reward” for the heroine-poetess and the heroine of a simple woman for everything: for their life, for their actions. The woman in this poem by Akhmatova is lonely. She remains one on one with the universe, with God:
All I need is the sky
And your voice is with me.
The lyrical heroine of Akhmatova is a mother who lost her child (“Husband in the grave, son in prison - pray for me ...”), and a Russian woman suffering along with her country (“Requiem”):
No, and not under an alien sky,
And not under the protection of alien wings,
I was then with my people,
Where my people, unfortunately, were.
Thus, the lyrical heroine of Akhmatova is a Woman in all her earthly incarnations, in all her incarnations. It was thanks to this poetess that the richest and deepest world of the female soul was opened - the world of Love and Sorrow, Light and Darkness, God and the Devil ...
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- The world of the female soul is most fully revealed in the love lyrics of A. Akhmatova and occupies a central place in her poetry. The genuine sincerity of Akhmatova's love lyrics, combined with strict harmony, allowed her contemporaries to call her Russian Sappho immediately after the release of the first poetic Read More ......
- The female soul has always remained a mystery to men. But they always strive for this, because to understand a woman means to understand the world. Reading the lyrics of Akhmatova, you can learn more about this distant and unknown galaxy - the female soul. An exponent of women's attitude Read More ......
- Akhmatova's first books are exclusively about love. Reading her poems, you might think that this is the diary of a woman who is in constant spiritual development, and along with her, her love affair develops. These are peaks and precipices, ups and downs. And also this Read More ......
- The Silver Age of Russian literature is unthinkable without the work of Anna Akhmatova. Her poetry is a kind of hymn to a woman. The heroines of Akhmatova are realistic, and every reader can find something close in these images. The poem “Clenched her hands under a dark veil” is one of the first in the collection Read More ......
- The woman is a poet. Judging even by the history of Russian literature, this phrase is problematic. Only in the 19th century did poetesses appear in Russia, and then this is clearly a poetic periphery: the now half-forgotten Karolina Pavlova or Yulia Zhadovskaya, the completely forgotten Elizaveta Shakhova and Evdokia Rostopchina. Read More ......
- The poetic work of Anna Akhmatova originates in the brilliant silver age Russian literature. This relatively short period gave birth to a whole galaxy of brilliant artists, including, for the first time in Russian literature, the great women poets A. Akhmatova and M. Tsvetaeva. Akhmatova did not recognize the definition Read More ......
- The poem "The Gray-Eyed King" is one of early works A. Akhmatova, included in her first poetry collection "Evening". The poem is devoted to the theme of love, it is reminiscent of a medieval European song or ballad in its plot and images. In the center of attention, as always with Akhmatova, is Read More ......
- The central character of Nekrasov's works is the people. He portrays it very brightly and with great love. To picture folk life was complete, the poet depicts both the hard life of the village and the poverty of the urban poor. A special place in his works is occupied by the image of a Russian woman. Read More ......
The world of the female soul is most fully revealed in the love lyrics of A. Akhmatova and occupies a central place in her poetry. The genuine sincerity of Akhmatova's love lyrics, combined with strict harmony, allowed her contemporaries to call her Russian Sappho immediately after the release of the first collections of poetry.
The early love lyrics of Anna Akhmatova were perceived as a kind of lyrical diary. However, the depiction of romantically exaggerated feelings is not characteristic of her poetry. Akhmatova talks about simple human happiness and earthly, ordinary sorrows: about separation, betrayal, loneliness, despair - about everything that is close to many, that everyone is able to experience and understand.
Love in the lyrics of A. Akhmatova appears as a “fateful duel”, it is almost never portrayed serenely, idyllically, but, on the contrary, in an extremely crisis expression: at the moment of breakup, separation, loss of feeling or the first stormy blindness with passion.
Usually her poems are the beginning of a drama or its climax. “The torment of a living soul” is paid by her lyrical heroine for love. The combination of lyricism and epicness brings A. Akhmatova's poems closer to the genres of the novel, short story, drama, and lyrical diary.
One of the secrets of her poetic gift lies in the ability to fully express the most intimate in herself and the world around her. In her poems, the string tension of experiences and the unmistakable accuracy of their sharp expression are striking. This is the strength of Akhmatova.
The theme of love and the theme of creativity are closely intertwined in Anna Akhmatova's poems. In the spiritual image of the heroine of her love lyrics one can guess "wingedness" creative personality. The tragic rivalry between Love and the Muse has been reflected in many works since early 1911. However, Akhmatova foresees that poetic glory cannot replace earthly love and happiness.
The intimate lyrics of A. Akhmatova are not limited to the depiction of loving relationships. It always contains the poet's inexhaustible interest in the inner world of man. The originality of Akhmatov's poems about love, the originality of the poetic voice, conveying the most intimate thoughts and feelings of the lyrical heroine, the fullness of the verses with the deepest psychologism cannot but arouse admiration.
Like no one else, Akhmatova knows how to reveal the most hidden depths inner world a person, his experiences, states, moods. Striking psychological persuasiveness is achieved by using a very capacious and laconic technique of an eloquent detail (a glove, a ring, a tulip in a buttonhole ...).
“Earthly love” by A. Akhmatova also implies love for the “earthly world” surrounding a person. Image human relations inseparable from love for the native land, for the people, for the fate of the country. The idea of a spiritual connection with the Motherland that permeates the poetry of A. Akhmatova is expressed in the readiness to sacrifice even happiness and intimacy with the dearest people (“Prayer”) for her sake, which later so tragically came true in her life.
She rises to biblical heights in the description maternal love. The suffering of a mother, doomed to see her son's agony on the cross, is simply amazing in Requiem:
The choir of angels glorified the great hour,
And the heavens went up in flames.
He said to his father: “Almost left me!”
And Mother: “Oh, don’t cry for Me…”
Magdalene fought and sobbed,
The beloved student turned to stone,
And to where silently Mother stood,
So no one dared to look.
Thus, the poetry of A. Akhmatova is not only the confession of a woman in love, it is the confession of a man who lives with all the troubles, pains and passions of his time and his land.
Anna Akhmatova, as it were, combined "female" poetry with the poetry of the main stream. But this association is only apparent - Akhmatova is very smart: having retained the theme and many techniques women's poetry, she radically reworked both in the spirit of not female, but universal poetics.
The world of deep and dramatic experiences, the charm, richness and originality of the personality are imprinted in the love lyrics of Anna Akhmatova.
Akhmatova's poems reveal the world of the female soul, passionate, tender and proud. The framework of this world was outlined by love - a feeling that constitutes the content of human life in Akhmatova's poems. There seems to be no such shade of this feeling, which would not have been mentioned here: from inadvertent slips of the tongue, betraying something deeply hidden (“And as if by mistake I said: “You ...” to “white-hot passion”.
The state of mind in Akhmatova's poems is not told - it is reproduced as being experienced now, even if it is experienced by memory. It is reproduced accurately, subtly, and here every - even the most insignificant - detail is important, allowing, having caught, to convey the overflows of spiritual movement, which could not be directly spoken about. These details, the details are sometimes defiantly visible in the verses, talking about what is happening in the heart of their heroine more than lengthy descriptions could say. An example of such a striking psychological richness of a verse, the capacity of a verse word can be the lines of the "Song of the Last Meeting":
So helplessly my chest went cold,
But my steps were light.
I put on my right hand
Left hand glove.
Akhmatova's poetry is like a novel, saturated with the subtlest psychologism. There is a “plot” here, which is not difficult to restore by following how it arises, develops, is resolved by a fit of passion and leaves, a feeling becomes the property of memory, which in Akhmatova’s early poems determines the main thing in a person’s life. Here is just a premonition of love, still unclear languor that makes the heart tremble: “Eyes are asking for mercy involuntarily. What should I do with them When they say a short, sonorous name in front of me? It is replaced by another feeling, which sharply quickens the heartbeat, already ready to flare up with passion: “It was stuffy from the burning light, And his views were like rays. I just shuddered: this one can tame me. This state is conveyed with physical tangibility, the burning light here has a strange - and frighteningly - attractive power, and the last word in the verses betrays a measure of helplessness in front of her. The angle of vision in these verses is perhaps not wide, but the vision itself is concentrated. And this is because here we are talking about what constitutes the value of human existence, in a love duel the dignity of a person is tested. Humility will also come to the heroine of the poems, but first she will burst out proudly: “You humble? You are crazy! I am obedient to the will of the Lord alone. I do not want any trembling or pain, My husband is an executioner, and his house is a prison. But the main words here are those that appear after the ones just given: “Ho, you see! After all, I came on my own ... ”Submission - and in love too - is possible in Akhmatova's lyrics only of her own free will.
Much has been written about Akhmatova's love, and, probably, no one in Russian poetry has recreated this sublime and beautiful feeling so completely, so deeply.
In the early poems of the poetess, the power of passion turned out to be irresistible, fatal, as they liked to say then. Hence the piercing sharpness of the words that escape from a heart scorched by love: “Don’t you love, don’t you want to watch? Oh, how beautiful you are, damned! And further here: "My eyes are obscured by fog." And there are many of them, lines that capture the almost sorrowful helplessness that comes to replace defiant rebelliousness, comes in spite of the obvious. As it is seen - ruthlessly, precisely: “Half-affectionately, half-lazily I touched the hand with a kiss ...”, “How unlike the hugs The touches of these hands are.”
And this is also about love, which Akhmatova's lyrics speak of with that boundless frankness that allows the reader to treat the poems as lines addressed to him personally.
Love in Akhmatova bestows both joy and grief, but it is always happiness, because it allows you to overcome everything that separates people (“You breathe the sun, I breathe the moon, but we are alive with love alone”), allows their breath to merge, echoing in the verses born of this :
Only your voice sings in my poems,
In your poems my breath blows.
And there is a fire that dare not
Touch neither oblivion nor fear.
And if you knew how I love you now
Your dry, rosy lips.
In Akhmatova's poems, life unfolds, the essence of which in her first books is love. And when she leaves a person, leaves, even just reproaches of conscience cannot stop her: “My flesh languishes in a sorrowful illness, And a free spirit will already rest peacefully.” Only this seeming serenity is devastating, giving rise to a sad realization that in the house abandoned by love "not quite well."
Akhmatova does not seek to arouse sympathy in the reader, and even more so pity: the heroine of her poems does not need this. "Abandoned! Made up word - Am I a flower or a letter? And the point here is not at all the notorious strength of character - in Akhmatova's poems every time a moment is captured: not stopped, but slipping away. A feeling, a state, only when it is outlined, changes. And perhaps it is precisely in this change of states - their fragility, instability - that the charm, the charm of what is embodied in early lyrics Akhmatova character: “Joyfully and clearly Tomorrow will be morning. This life is beautiful, Heart, be wise.” Even the appearance of the heroine of the poems is outlined with a light stroke, we can hardly catch it: “I have only one smile. So, the movement is slightly visible lips. But this fluctuation, uncertainty is balanced by an abundance of details, details that belong to life itself. The world in Akhmatova's poems is not conditionally poetic - it is real, written out with tangible authenticity: “A worn rug under the icon, It's dark in a cool room ...”, “You smoke a black pipe, How strange the smoke above it. I put on a tight skirt, To appear even slimmer. And the heroine of the poems appears here "in this gray everyday dress, on worn-out heels ...". However, the feeling of being grounded does not arise - here it is different: "... There is no earthly from the earth And there was no liberation."
Immersing the reader in life, Akhmatova allows you to feel the flow of time, which powerfully determines the fate of a person. However, at first this found expression in the attachment of what was happening to an exactly - by the clock - designated moment, so often found in Akhmatova: "I went crazy, oh strange boy, Veredu at three o'clock." Later, the feeling of moving time will truly materialize:
What is war, what is plague? The end is in sight for them;
Their verdict is nearly pronounced.
How are we to deal with the horror that
Was once called the run of time.
About how poems are born, Akhmatova told in the cycle “Secrets of the Craft”. The connection of these two words, the combination of the innermost and the ordinary is noteworthy - one of them is literally inseparable from the other when it comes to creativity. For Akhmatova, it is a phenomenon of the same series as life, and its process proceeds according to the will of the forces that dictate the course of life. The verse arises as a "peal of subsiding thunder", as a sound that wins "in the abyss of whispers and ringing". And the task of the poet is to catch it, to hear the “signal bells” breaking through from somewhere.
The process of creativity, the birth of poetry in Akhmatova is equated with the processes that occur in life, in nature. And the duty of the poet, it would seem, is not to invent, but only, having heard it, write it down. But it has long been noted that the artist in his work strives not to do as in life, but creates as life itself. Akhmatova also enters into a rivalry with life: “I have not cleared up my scores With fire and wind and water ...” However, here, perhaps, it is more accurate to talk not about rivalry, but about co-creation: poetry allows you to get to the innermost meaning of what is done and done by life. It was said to Akhmatova: “If only you knew from what rubbish Poems grow, knowing no shame, Like a yellow dandelion near a fence, Like burdocks and quinoa.” Ho earthly rubbish becomes the soil on which poetry grows, raising a person with it: "... My drowsiness Suddenly such gates will open wide And lead behind the morning star." That is why in Akhmatova's lyrics the poet and the world have an equal relationship - the happiness of being gifted by him is inseparable in poetry from the realization of the opportunity to bestow generously, royally:
Much more probably wants
To be sung by my voice:
That which is wordless rumbles
Or in the darkness the underground stone sharpens,
Or breaks through the smoke.
For Akhmatova, art is able to absorb the world and thereby make it richer, and this determines its effective force, the place and role of the artist in people's lives.
With the feeling of this - bestowed upon her - power, Akhmatova lived her life in poetry. “Condemned - and we know it ourselves - We squander, not save,” she said at the very beginning of her poetic path, in the fifteenth year. This is what allows the verse to gain immortality, as it is said aphoristically exactly:
Gold rusts and steel rots,
The marble crumbles. Everything is ready for death.
The strongest thing on earth is sadness
And more durable - the royal word.
When meeting with Akhmatova's poems, the name of Pushkin is involuntarily recalled: classical clarity, intonational expressiveness of Akhmatova's verse, a clearly expressed position of accepting the world that opposes man - all this allows us to talk about Pushkin's beginning, which clearly reveals itself in Akhmatova's poetry. The name of Pushkin was the most precious for her - the idea of what constitutes the essence of poetry was associated with him. There are almost no direct echoes with Pushkin's poems in Akhmatova's poetry, Pushkin's influence affects here on a different level - the philosophy of life, the persistent desire to be faithful to only one poetry, and not to the power of power or the demands of the crowd.
It is with the Pushkin tradition that Akhmatova’s characteristic scale of poetic thought and the harmonic accuracy of verse are associated, the ability to reveal the universal significance of a unique spiritual movement, to correlate a sense of history with a sense of modernity, and finally, the variety of lyrical themes held together by the personality of the poet, who is always a contemporary of the reader.
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1 Akhmatova's lyrics as the poetry of a woman's soul Akhmatova's first poems are love lyrics. But Akhmatova's poetry is not only a confession of a woman's soul in love, this confession can also be called revolutionary in Russian poetry, the lyrics of Akhma???oy consisted in the fact that she opened the universe of the woman's soul to the world. What is love, or how to write an essay on love lyrics. Analysis of the poem Song by Akhmatova A.A. Composition by Akhmatova's poems opens the world of the female soul, passionate, tender and proud. Submission in love is also possible in Akhmatova's lyrics only. love lyrics Akhmatova notes the deepest psychologism, to Her, as the citizenship of non-poetic everyday realities in the high poetry of feelings. the right of a female voice and embody in the lyrics female ideas about the triangle, showing us the human soul in its suffering, pain. 1) The depth of disclosure of the topic of the essay and the persuasiveness of judgments. The world of the female soul in the lyrics of A.A. Akhmatova and the lyrical heroine of her poetry. Content filed under the Anna Akhmatova category. This amazing property of her lyrics was revealed even at the beginning Half of her soul covered, And she gives fiery wine to drink many techniques of women's poetry, she radically. The composition of the lyrics by Akhmatova as the poetry of the female soul >>>Click here<<< Тема поэта и поэзии в лирике А.А. Ахматовой сочинение и ранняя любовная лирика Анны Ахматовой. Сборник Вечер отражение женской души. Приход Ахматовой и Цветаевой в поэзию совпал с общепоэтическим процессом Вспомните стилевые особенности лирики А.Ахматовой (1 группа) и Ахматова знаток женской души, ее увлечений, страстей, переживаний. Написать сочинение по творчеству А.Ахматовой и М.Цветаевой по одной.
2 Entering literature with the poetry of the female soul, she immediately stood in the ranks of the first Russian Theme of the poet and poetry in the lyrics of A. A. Akhmatova (Plan-composition). The striking poems of Akhmatova settled in my soul, when once in childhood, the soul. Do we have the right to divide poetry into male and female? The first works of Akhmatova are love lyrics. If love has always been considered the basis of women's poetry, then Akhmatova showed the tragic path of a woman poet. Hence one of the constant motifs of murder in Akhmatova's lyrics in Akhmatova's poetry. She pays with the agony of a living soul for his exaltation. Akhmatova A.A. Works in two volumes. The world of the female soul in the lyrics of A. Akhmatova. The theme of love in the lyrics of Akhmatova (an essay on creativity). The amazing world of Akhmatova's poetry (on. Works on literature. The work of Anna Akhmatova. The artistic originality of love lyrics. The influence of Blok's work on the poetry of Anna Akhmatova The tragedy of the female soul in the works A. N. Ostrovsky.Feeling of the Motherland in Bunin's lyrics, experienced as love for the native Write a mini-essay on the topic Is the story of I.A. the spiritual life of the lyrical heroine Akhmatova modern today. Poetry of the female soul. COLLECTION OF WORKS - Russian literature essays REFLECTION ON TRUE VALUES ( based on a poem by N. A. Zabolotsky Don’t let your soul be lazy) THE THEME OF A WOMAN’S PARTY IN N. A. NEKRASOVA’S LYRICS CONFESSION OF A WOMAN’S HEART (based on A. A. Akhmatova’s poetry) creativity.
3 The mention of a potential instrument of suicide is a reference to the poems of A. Akhmatova: from the funeral (Elegy), The sound of wheels grows and the soul goes to pieces. Analysis of the poem by A. Akhmatova Creativity. Download essay. During this period, Pushkin's layer is included in Akhmatova's lyrics, the verses are saturated, although, as before, the verses remain a sincere confession of the soul. In the life and poetry of Akhmatova Pushkin, whose poems she called golden. Akhmatova brought all the enormous complexity and psychological wealth to Russian lyrics. She revealed the image of a female soul that took love like poison. Of all the arts, except for poetry, painting was the closest to Akhmatova. K.I. Chukovsky. Works in two volumes. Themes of the motherland, the poet and poetry, love, the motive of loneliness in the poet's lyrics. Tolstoy's prose. Techniques for depicting the spiritual world of heroes (dialectics of the soul). the hard life of the common people, the theme of women's fate, the image of a mountain woman. Composition based on the work of A. A. Akhmatova. B. L. Pasternak Life. Essay on literature - Anna Andreevna Akhmatova - a psychological detail that allows you to catch the subtlest movement of the soul. not typical for women's poetry, takes place in the creative lyrics of Anna Akhmatova. Picture 36 from the presentation Life of Akhmatova to the lessons of literature on the topic of Akhmatova. Dimensions: Each poem is a drama of the female soul. through the picture of nature, the boundless depth of the human soul, the poet A. A. Akhmatova's poem Knock with a fist I will open (1942), continues the traditions of anti-militarist poetry of the first half of the 20th century. and In what works of Russian poetry do poets write about the closeness of their own.
4 Problem-thematic and stylistic richness of the poet's love lyrics. The theme of the motherland in poetry is a passionate confession of a restless female soul. The abundance of Akhmatova's poetry, extraordinary concentration and exactingness of writing from the student requires the ability to consistently and logically. write reviews of read works and compositions of different 34 Essay on lyrics 72 Poetry of the female soul to the work of Akhmatova. In the early lyrics of Tsvetaeva, it was as if reflected in the search for an image, the search for an outer shell for the spilling soul: her work, like the work of A. Akhmatova, is the highest take-off of Russian women's poetry. Abstract: Ideas about the resettlement of souls among the Celts and in Coursework: The structure of the trade assortment of women's leather shoes Composition: The theme of the irreversibility of time in the lyrics of A. A. Akhmatova Thesis: Anna Akhmatova Aleksandrova T. L. I made a long one on this poetry. Akhmatova's lyrics are a whole book of the female soul (A. Kollontai). Romanticism of the lyrics of Anna Akhmatova. Features of love lyrics, the main one in Akhmatova's poetry. The role of details in poems about love, the theme of the poet and the composition 55. Akhmatova's poetry is a lyrical diary of a contemporary of a complex and majestic era who felt a lot and thought a lot. Only a fully mature soul can truly love. The poetic world of Anna Akhmatova (based on the lyrics by A.A. Akhmatova) The book of the female soul - Akhmatova - composition. The theme of creativity, poet and poetry in the lyrics of M.I. Tsvetaeva. Be able to: R.R. Composition based on the work of A.A. Akhmatova and M.I. Tsvetaeva, To be able to: create your own Motive for the awakening of the soul in Kuprin's prose. Symbolic meaning Depiction of women's destiny and psychology in the poetry of A. Akhmatova. >>>Go<<<
5 essays of various types, search, systematization and use of the necessary A.A. Blok. New peasant poetry: N.A. Klyuev, S.A. Yesenin A.A. Akhmatova. The Book of the Woman's Soul. 1989, 3 essays on lyrics.
An essay on the theme of the Pushkin theme in the work of Tsvetaeva and Akhmatova to write essays on a literary or journalistic topic, a review of the depth and brightness of A.A. Akhmatova. The theme of creativity
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Calendar-thematic planning in literature in grade 11 for the 2008-2009 academic year. Planning is focused on work on the training set edited by V.P. Zhuravlev. 102 hours. (basic program)
Composition on the theme of the theme of the motherland and nature in the lyrics of Lermontov Composition on the theme: Love in the lyrics of Lermontov passion that brings suffering 38. 48. The theme of the motherland and nature in the lyrics of M. Yu. Lermontov 49. Works
/ Theme of the lesson Terms ZUNA grade 11 Organization of the educational process 1 Russia at the turn of the XIX XX centuries 2 Russian literature at the turn of the century 3 Essay on the life and work of I. Bunin Know the basic facts of life and work
Composition on the theme of my favorite poet of the 20th century marina Tsvetaeva The theme of the poet and poetry in the work of M. Tsvetaeva, composition, school The best composition My favorite pages of poetry of the Silver Age. My favorite
Composition Tsvetaeva's poems about Russia themes images speech Features and themes of M.I. Tsvetaeva in the period 1910-1922 M.I. Tsvetaeva. A reverent attitude towards Russia and the Russian word in her poetry. Impression
Municipal budgetary educational institution "Gymnasium 11" Samara CONSIDERED by the methodological association of teachers of the Russian language and literature of the methodological council of the MBOU gymnasium 11 g.o. Samara
The theme of love in the poetry of A. A. Akhmatova In the nineteenth century there were many women who wrote poetry, often even good poetry: Karolina Pavlova, Evdokia Rostopchina, and Mirra Lokhvitskaya. However, great spiritual energy
An essay on the theme of the artistic originality of the novel Quiet Don The novel Quiet Don, which received worldwide recognition, is an epic, and it (more than 700) is determined by the genre originality of Sholokhov's novel. Not seeing yet
1. Planned results of mastering the subject 1) awareness of the importance of reading and studying native literature for one's further development; formation of the need for systematic reading as a means of
Thematic planning. Literature class. 02h. lesson topic of the lesson. Main content Introduction. The fate of Russia in the 20th century. The main directions, themes and problems of Russian literature of the 20th century. Number of hours
Planned results of mastering the subject) awareness of the importance of reading and studying native literature for one's further development; formation of the need for systematic reading as a means of
"Reviewed" Head of MO MBOU SOSH 73 E.G. Mysheva Minutes 1 dated August 30, 2017 “Agreed” Deputy Director for WRM Zh.G. Mityukova .. 2017 "I approve" Director of MBOU secondary school 73 E.V. Vysotskaya order
Calendar-thematic planning in literature for the 203-204 academic year Grade 9 Program: Programs of educational institutions. Literature 5 classes. Authors compilers: G.I. Belenky, E.A. Krasnovsky,
Theme of the lesson Number of hours Lesson type Elements of the content of the lesson Types of control meters 1-2 Russia at the turn of the XIX-XX centuries. Historical and cultural situation 3 Essay on the life and work of IA Bunin. "The wondrous power of the past
// The theme of love in the poetry of A. A. Blok and S. A. Yesenin The creative path of both A. A. Blok and S. A. Yesenin was complex and difficult, full of sharp contradictions, but ultimately direct and steady. I think,
Composition on the theme of two meetings between Pechorin and Maxim Maksimych The last meeting of Pechorin and Maxim Maksimych (Analysis of the episode) An essay based on the work of M. Yu. Lermontov A hero of our time. They are broken into
Analysis of Akhmatova's poem from the book Plantain Analysis of A. Akhmatova's poem But I warn you Plantain, Anno Domini) A. A. Akhmatova wide literary recognition. Poetry of Anna Akhmatova
Themes of essays on literature of the second half of the 19th century. 1. Images of merchants-tyrants in the play by A. N. Ostrovsky "Thunderstorm". 2. a) Emotional drama of Katerina. (According to the play by A. N. Ostrovsky "Thunderstorm".) b) The theme of "small
Russian Literature Grade VIII (53 hours per year, of which 6 hours for extracurricular reading) Russian Literature: Proc. allowance for 8 cells. general education institutions from Belarus. and Russian lang. training / T.F. Mushinskaya,
Municipal state educational institution of the Khanty-Mansiysk region "Secondary school with. Tsingali" Appendix to the main educational program of secondary general education
Brief analysis of the poem Rodina Tsvetaeva Various types of retelling (detailed, brief, selective, with final elements: analysis of the poem, written detailed answer to a problematic question 24
1 p / p Calendar - thematic planning of literature lessons in the 11th grade (1.5; 9, 10, 14 gr.) Rodionova TA basic level (3 hours a week, 102 hours) Sections, programs, topics of the lesson Number of hours Date
An essay on the theme of the artistic features of Pushkin's novel evgeny onegin Pushkin's lyrical digressions in the novel Eugene Onegin about creativity, about love in the poet's life. Love for Realism and fidelity
The theme of the poet and poetry in the work of A. S. Pushkin, M. Yu. Lermontov and N. A. is one of the first, was the founder of rich Russian literature. 12194389084424 M.Yu. Lermontov showed a particular interest in the national
"Reviewed" Head of MO MBOU SOSH 73 E.G. Mysheva Minutes 1 dated .. 017 "Agreed" Deputy Director for Water Management Zh.G. Mityukova .. 017 "I approve" Director of MBOU secondary school 73 E.V. Vysotskaya order from..
EXPLANATORY NOTE (literature grade 9) Calendar-thematic planning in literature for grade 9 to the textbook by V.Ya. Korovina, V.P. Zhuravlev, V.I. Korovin, I.S.
Composition on the theme of the image of the lost city in the drama of the Ostrov thunderstorm The theme of the female lot and the image of Matryona Korchagina in the poem. The role of inserts The image of the lost city in the drama of A.N. Ostrovsky Thunderstorm. The meaning of the name
Explanatory note The program was compiled on the basis of the author's program edited by G.S. Merkina, S.A. Zinina, V.A. Chalmaeva from the collection Program in Literature for Grades 5 of a comprehensive school,
2 Literature. Grade 9 Literature as the art of the word and its role in the spiritual life of man. Identification of the level of literary level of students. Literature of Ancient Russia. Its original character, richness and diversity
LESSON PLAN LITERATURE 9 CLASS FULL-LONG-CORRESPONDENCE FORM OF TRAINING 2014-2015 academic year II half of the year Textbook: V.Ya. Korovina, V.P. Zhuravlev, V.I. Korovin. Literature Grade 9. M.: Enlightenment. Date Topics
LITERATURE class (0 hours) p / n Theme of the lesson Number of hours I half-year - 8 hours Terms Introductory lessons. Russia at the turn of the XIX - XX centuries. Historical and cultural situation... Russian literature at the turn of the century. Characteristic
Contradictions of the Silver Age Composition At the turn of the 19th centuries, Russia was the leader in Nietzsche's popularity. Then with the writings of the philosopher was undertaken in Russian in 1909. then, by and large,
Analysis of Tsvetaeva's poem from the cycle of poems to her son Already at the age of six, Marina Tsvetaeva began to write poetry, which was facilitated by her growing attraction to Russia (Poems to her son, Last lifetime
Annotation to the work program in literature in grades 6-9 The work program in literature for grades 6-9 is compiled in accordance with:
APPENDIX to the educational program Teacher: Gaysina N.M. Thematic planning in literature in grade 9. 1. Programs of educational institutions. Literature (basic level). 5-11 grades./
1 Annotation of the work program of the discipline "Literature" The purpose and objectives of the discipline The purpose of the discipline is to study the current state of development of literature and methods of literature as a science; acquaintance with the most
An essay on what Akhmatova's poetry revealed to me Born for a feat (Andrey Voznesensky as a poet and poetry in modern life) (the theme of love in the work of Anna Akhmatova) Love in What is in the world and man
Municipal state educational institution Lugavskaya secondary school 19 Considered at the meeting of the methodological council "29" August 2016 Approved by the Director of the MKOU Lugavskaya secondary school 19
Textbook: Russian literature of the 20th century, parts 1-2, "Enlightenment" "Moscow textbooks", Moscow 2006, edited by V.P. Zhuravlev Theme D.z. IT control date Introduction 2 hours 1 Literature overview
Essay on the tradition of romanticism in Tyutchev's lyrics Essays on literature and the Russian language The theme of love in the work of Fet and Tyutchev Download You can talk about the tradition of Nekrasov in Tyutchev's lyrics poet
Calendar-thematic planning in literature in grades 11 a, b, c, d for the 2015-2016 academic year Teachers: Budina A.Yu., Vyunova N.M., Doronina E.M., Rodionova T.A. Number of hours: 102 hours
Name Subject of CFT in Literature Grade 7 Literature Section name Section objectives Number of hours Number Theme of the lesson The image of a person as the most important moral and aesthetic problem
Composition on the theme of the history of the creation of the poem to whom in Russia to live well The history of the creation of the poem To whom in Russia to live well. Razmalin 12/15/2014 5 b, 9 minutes ago. help write an essay on how people live?
EXAMINATION TICKETS OF THE STATE FINAL CERTIFICATION IN LITERATURE FOR EDUCATIONAL PROGRAMS OF BASIC GENERAL EDUCATION in 2018 Ticket 1 1. The concept of "Onegin stanza" (the number of verses,
DEPARTMENT OF EDUCATION OF THE CITY OF MOSCOW STATE BUDGET EDUCATIONAL INSTITUTION OF THE CITY OF MOSCOW SCHOOL 1450 "OLYMP" Chongarsky Boulevard, 12 I approve the Director of the GBOU School 1450 "Olympus" Kartashova T.S.
Control work on the topic of creativity Ostrovsky answers Test work on literature on the topic Ballads Control test on the work of I.A. Goncharova, A.N. Ostrovsky, I.S. Turgenev Grade 10 Questions
State budgetary educational institution secondary school 217 of the Krasnoselsky district of St. Petersburg named after N.A. Alekseeva Accepted by the Pedagogical Council of GBOU school 217 Protocol
An essay on the topic is my favorite work of Russian literature of the 19th century. An essay on Russian literature is my favorite work of F. Abramov. Language, word: essays on literature on a free topic * Works
A brief analysis of the poem I will die soon Nekrasov
CALENDAR-THEMATIC PLANNING Lesson topic Approximate date 1. At the turn of the century. Completion of the classical period of Russian realism. 2. A.P. Chekhov. Life and work (with a generalization of the studied). 3.
The theme of history in the works of Pushkin and Lermontov. The historical theme interested the writer at all times. Do not bypassed her in her own. 8518373100531 Abstract: The theme of history in the works of Pushkin and Lermontov.
Analysis of Marina Tsvetaeva's Poem Hamlet's Dialogue with Conscience W. Shakespeare. Hamlet Referring to the analysis of the poetic creations of two Russians This is an excerpt from a poem by Marina Tsvetaeva Kust. Probably Tyutchev
Comparative analysis of poems by S.A. Yesenin "Birch" and A.A. Feta “Sad birch Author: Elvira Khabarova, student of the 7th “B” class Head: Tatyana Nikolaevna Kapustina, teacher of the Russian language
Composition on the theme of peasant Russia in the image of Turgenev But this theme lives in the novel also regardless of the characters, as George Sand's images of nature resemble to the exact detail. that the folk peasant
Philosophical problems of one of the Russian works. XX century (The meaning of life in the story of I Bunin "The Gentleman from San Francisco") - an essay. from his social position or wealth - the main theme of the work.
An essay on the problems and lessons of literature of the 20th century In 1940, essays were written on the topic Why do I love the leader of the peoples that the USE should take into account knowledge of literature and history, and the essay in this If a child
Thematic planning for literature class. Number Content (lesson topic) of the lesson. Introduction. Russian literature in the context of world culture. 2. Lyrical skill of I.A. Bunina 3. Acute sense of crisis
(195th anniversary of N.A. Nekrasov) (10.12.1821-08.01.1878) 6+ “I dedicated the lyre to my people Perhaps I will die, unknown to them. But I served him and my heart is calm "In the history of Russian literature, Nikolai Alekseevich
Analysis of Anna Akhmatova's poem five years have passed Reading and analysis of A.A. Akhmatova's poems and poems by other poets of the twentieth century Two or three years have passed, both in her eyes, and in her posture, and in her treatment of people More
Essay on literature on the topic of the Snow Maiden and oral folk art From oral folk art. Historical Theme of good and evil in the works of Russian literature. Protection of Karamzin's abstract on the pages
Essay topic analysis of Mayakovsky's poem listen Essays on literature and the Russian language Poem At the heart of the poem is the eternal theme of love, the tragedy of fatigue and loneliness. Poem by V.V.
Subject. Introduction. Russian literature and Russian history at the end of the 8th and in the first half of the 9th centuries. Literary trends.. Repetition (5 hours) AS Griboyedov. The system of images and the problems of the comedy "Woe
Composition on the theme of the image of the motherland in the work of Rasul Gamzatov Main part Chapter I. Pushkin traditions in the work of Rasul Gamzatov. 7 Formation and become in Nekrasov's lyrics images of nature and
Agreed Approved Head of the MD Director of the MKOU "Novovarshavskaya Gymnasium" 204 Deputy director for water resources management 204 204 Thematic planning in literature in grade 9 for the 204-205 academic year Literature
Task 15 How do you understand Tyutchev's words "Oh, how deadly we love"? According to Fet’s poem “This morning, this joy”: How does Fet’s famous “voicelessness” manifest itself in the above poem and what
Oblomov's dream as an ideological and artistic center of the novel essay Biography of Oblomov (childhood from the 9th chapter of Oblomov's dream) 4. The ideological and artistic significance of letters in the novel by I.A. Goncharova Oblomov. novel I.
