Analysis of the poem "on the railroad". "On the railroad"

The poem "On railway"(1910) is included in Blok's cycle of poems" Motherland ". As in the poem "Russia", the fate of the motherland is comprehended here through the fate of women:

Under the embankment, in the unmowed ditch,

Lies and looks, as if alive,

In a colored scarf, thrown on braids,

Beautiful and young.

This is how the poem begins. The heroine, identified with Russia, is a beautiful and young girl lying under an embankment, in an unmown moat. Already in the second quatrain, the poet brings us back to the past, when the heroine “waited, worrying” for happiness and love. But faith and hope were replaced by unbelief and hopelessness:

Yes, the heart has been taken out for a long time!

So many bows have been given

So many greedy glances thrown

Into the deserted eyes of the wagons.

Don't approach her with questions

You do not care, but she is enough:

Love, dirt or wheels

She is crushed - everything hurts.

The railway is a symbol of the path, a symbol of fate. Depicting continuous rows of passenger cars, Blok sets the theme of the road, life path person. Train, locomotive, station - a symbol of a stage or moment of the journey. But the path, the road are still harbingers of the outcome towards which each person is moving. The first and last stanzas, in which the motive of death clearly sounds, close the poem in a kind of “pessimistic” ring. The railroad is a sign scary world ruthless to people.

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Analysis of the poem "On the railroad"

Poem A. Blok "On the railroad" begins with a description of the death of the heroine - a young woman. The author returns us to her death at the end of the work. The composition of the verse is thus circular, closed.

The name is symbolic. Let us recall that Anna Karenina, women who leave their homeland, die in Russian literature with a “railway-tram” death, - in M. Tsvetaeva’s poem “Rails”, not in “his” tram, that is, in a time alien to him, turned out to be the lyrical hero of the poem N Gumilyov "Lost Tram". The list could go on.

In the author's note to this poem, Blok testifies: "An unconscious imitation of an episode from Tolstoy's Resurrection: Katyusha Maslova at a small station sees Nekhlyudov in a velvet armchair in a brightly lit first-class compartment in the window of a carriage." However, the content of the poem, of course, goes far beyond "unconscious imitation."

In the first quatrain, Blok draws the image of a "beautiful and young" woman, whose life was interrupted in its prime. Her death is just as absurd and unexpected as it is absurd that now she, "in a colored scarf, thrown on her braids," lies "under the embankment, in the ditch.":

She walked calmly, "ceremoniously", but how much restrained tension, hidden expectation, inner drama, probably, was in this. All this speaks of the heroine as a strong nature, which is characterized by the depth of experiences, the constancy of feelings. As if on a date, she comes to the platform: "A gentler blush, a steeper curl." She arrives long before the appointed hour ("bypassing the whole long platform.").

And the carriages "went in the usual line", indifferently and wearily "trembled and creaked". In the carriages, however, their usual life went on, and no one cared about the lonely young woman on the platform. In the first and second grades ("yellow and blue") they were coldly laconic, fenced off with an armor of indifference from the rest of the world. Well, in the "green" (class III cars), without concealing feelings and not embarrassed, they "wept and sang":

How humiliating, how unbearable these “smooth looks” must have been for the heroine of the poem. Wouldn't they notice her? Doesn't she deserve more? But it is perceived by those passing in the same row with the bushes and the gendarme. The usual scenery for traveling by train. Usual indifference. Only in Blok's poem does the railroad become a symbol of modern life for the poet, with its meaninglessness of the cycle of events, indifference to man. General impersonality, deaf indifference to others and entire classes, and individuals gives rise to the emptiness of the soul, makes life meaningless. This is what "road longing, iron" is. In such a deadly atmosphere, a person can only be a victim. Only once a young woman flashed an enticing vision - a hussar with a "tender smile", but, probably, only irritated her soul. Since happiness is impossible, mutual understanding in the conditions of the "terrible world" is impossible, is it worth living? Life itself loses its value.

The author refuses to explain the reasons for the death of a young woman. We don't know, "it is crushed by love, mud or wheels". The author also warns us against unnecessary questions. If they were indifferent to her during their lifetime, why now show insincere, short-term and tactless participation.

Read also an analysis of other works by Alexander Blok:

"On the railroad" A. Blok

Under the embankment, in the unmowed ditch,
Lies and looks, as if alive,
In a colored scarf, thrown on braids,
Beautiful and young.

It happened that she walked with a dignified gait

To the noise and whistle behind the nearby forest.
Bypassing the whole long platform,
Waited, worried, under a canopy.

Three bright eyes oncoming -
Delicate blush, cooler curl:
Perhaps one of the travelers
Take a closer look out the windows...

The carriages were moving along the usual line,
They trembled and creaked;
Silent yellow and blue;
In green wept and sang.

Get up sleepy behind the glass
And cast an even glance
Her, the gendarme next to her ...

Only once a hussar, with a careless hand
Leaning on scarlet velvet,
Slipped over her with a gentle smile,
Slipped - and the train rushed off into the distance.

In empty dreams, exhausted ...
Longing road, iron
Whistle, breaking the heart ...

Yes, the heart has been taken out for a long time!
So many bows have been given
So many greedy glances thrown
Into the deserted eyes of the wagons...

Don't approach her with questions
You don't care, but it's enough for her:
Love, dirt or wheels
She's crushed - everything hurts.

Analysis of Blok's poem "On the Railroad"

Alexander Blok's poem "On the Railway", written in 1910, is part of the Odina cycle and is one of the illustrations of pre-revolutionary Russia. The plot, according to the author himself, is inspired by the works of Leo Tolstoy. In particular, "Anna Karenina" and "Sunday", the main characters of which die, unable to survive their own shame and having lost faith in love.

The picture, which Alexander Blok masterfully recreated in his work, is majestic and sad. On the railway embankment lies a young beautiful woman, “as if alive”, but from the first lines it is clear that she died. And, not by chance, but threw herself under the wheels of a passing train. What made her commit this terrible and senseless act? Alexander Blok does not give an answer to this question, believing that if no one needed his heroine during her lifetime, then after her death, it makes no sense to look for motivation for suicide. The author only states a fait accompli and talks about the fate of the one who died in the prime of life .

Who she was is difficult to understand. Whether a noble noblewoman, or a commoner. Perhaps she belonged to a fairly large caste of ladies of easy virtue. However, the fact that a beautiful and young woman regularly came to the railway and followed the train with her eyes, looking for a familiar face in respectable cars, says a lot. It is likely that, like Tolstoy's Katenka Maslova, she was seduced by a man who subsequently left her and left. But the heroine of the poem “on the railroad” until the last moment believed in a miracle and hoped that her lover would return and take her away with him.

But the miracle did not happen, and soon the figure of a young woman, constantly meeting trains on a railway platform, became an integral part of the dull provincial landscape. Travelers in soft carriages, carrying them to a much more attractive life, coldly and indifferently glided over the mysterious stranger with their eyes, and she aroused absolutely no interest in them, just like the gardens, forests and meadows flying past the window, as well as the imposing figure of a policeman. who was on duty at the station.

One can only guess how many hours, secretly full of hope and excitement, the heroine of the poem spent on the railway. However, no one cared about her at all. Thousands of people carried multi-colored wagons into the distance, and only once did the gallant hussar give the beauty a “tender smile”, meaning nothing and as ephemeral as a woman’s dreams. It should be borne in mind that the collective image of the heroine of Alexander Blok's poem "On the Railroad" is quite typical for the beginning of the 20th century. Cardinal changes in society gave women freedom, but not all of them were able to properly dispose of this priceless gift. Among the representatives of the weaker sex who could not overcome public contempt and were forced to be doomed to a life full of dirt, pain and suffering, the heroine of this poem certainly belongs. Realizing the hopelessness of the situation, the woman decides to commit suicide, hoping in such a simple way to immediately get rid of all the problems. However, according to the poet, it is not so important who or what killed a young woman in her prime - a train, unhappy love, or prejudice. The only important thing is that she is dead, and this death is one of thousands of victims for the sake of public opinion, which puts a woman on a much lower level than a man, and does not forgive her even the most insignificant mistakes, forcing her to atone for them with her own life.

"On the Railway", analysis of Blok's poem, essay

The poem "On the Railroad", completed on June 14, 1910, is part of the "Motherland" cycle. The poem consists of 36 lines (or 9 stanzas), written in multi-footed iambic with a two-syllable stress on the second syllable. Rhyming - cross. Alexander Blok clarifies in the notes to the poem that this is an imitation of one of the episodes of L.N. Tolstoy from Resurrection.

The poem "On the Railroad" conveys pain, melancholy, naivety and faith in a possible light, happy life for a young pretty girl who still could not curb her wayward fate, and preferred death to her unlucky life path.

Plot is developed at a sparse passenger station of one of the stations, and the story is told by a man who knew this woman and remembered what she was until she decided to follow in the footsteps of Anna Karenina. The poem has ring composition. because in its last quatrain it brings us back to the first.

It is not clear why she was waiting for her happiness on the platform. Why so good woman, "beautiful and young" unable to arrange your life? Why did she choose death instead of fighting for her happiness? The author asks: "Don't approach her with questions". but, imbued with the soul of this rhymed work, quite a lot of them arise.

But the image of the heroine concise, nevertheless, it does not repel, but disposes to itself. It is clear that a woman in her youth chose the wrong path, which was very difficult to turn off. She consoled herself with the hope that some passer-by would be charmed and "looks closer from the windows" .

Of course, the woman secretly expected and wanted attention from the yellow or blue cars (which is equivalent to first and second class), but "Only once a hussar ...". The passengers of the yellow and blue cars were primly cold, indifferent to the whole world and, moreover, to this woman, whom they simply did not notice. Green cars (third class) were not shy about showing their feelings, so they were equally loud "crying and singing". But even those cast indifferent glances at the heroine, one was uninteresting, the other did not need it, the third had nothing to give in return.

It is not for nothing that this poem is placed in the Motherland cycle, which reveals many aspects of patriotic themes. This is the fate of Russian women, and the bleak life in pre-revolutionary Russia, and the image of their beloved homeland.

Blok's poem "On the Railroad"

The theme of the Motherland was the main one in the work of Alexander Blok. In a letter to K.S. Stanislavsky (December 1908), Blok writes: “I consciously and irrevocably dedicate my life to this topic.” For Blok, the theme of the Motherland became the most important, most vital and most real issue of his life. The poet's worldview, his attachments and views changed, only love for the Fatherland remained unchanged.
In an effort to enter into a wide and harsh world, containing that true and lofty truth, which A. Blok strove to comprehend throughout his creative way, the poet creates the cycle "Motherland", perhaps the apex cycle not only of the third volume, but of the entire poetry of A. Blok. The poet addresses the most diverse aspects of a complex and dramatic theme in this cycle. “Motherland” for Blok is such a broad concept that he considered it possible to include in the cycle both purely intimate poems (“Visit”, “Smoke from a fire with a gray stream ...”) and poems directly related to the problems of the “terrible world” (“Sin shamelessly, soundly…”, “On the railroad”).
A. Blok's poem "On the Railway" is dated June 14, 1910. In it, the author tells about a woman who fell under the wheels of a train:
Under the embankment, in the unmowed ditch,
Lies and looks like a living ...
In this work, A. Blok identifies the difficult, bleak fate of the motherland with the fate of the Russian peasant woman, which means that he associates the image of a woman with the concept of the motherland.
A. Block does not give social characteristics girl. His heroine is not shown as a certain type, and her love story is dark. We cannot imagine her life, we only have anxiety for a person:
Longing road, iron,
Whistle, breaking the heart ...
Yes, the heart has been taken out for a long time!
The poem is filled with bitterness and pain. A woman is made to love and be loved. But if fate decreed otherwise, and life crushed her, then whose fault is it? The fate of a woman in Blok's lyrics is always tragic, but by the position of a woman one can judge the life of society and the country as a whole.
However, even in monotonous everyday life, hope flickers:
Only once a hussar, with a careless hand,
Leaning on scarlet velvet,
He glided over her with a gentle smile ...
This picture is a contrast with the dull everyday life. An insignificant event revived the dreams of the heroine, reminded her that somewhere else, there is a better life.
Better life for A. Blok there was a new, young Russia. He pinned his hopes on her, found the most unusual words for her, intertwining images of the motherland and women in his creations.
The poem "On the Railroad" is addressed by those block experts who consider the poet's path as a purposeful movement from symbolism to realism. Indeed, there are many life realities in the poem (“an unmowed moat”, “platform”, “garden with faded bushes”, “gendarme”…). In addition, the author himself provided him with a note: “An unconscious imitation of an episode from Tolstoy’s Resurrection: Katyusha Maslova sees Nekhlyudov in the window on a velvet armchair of a brightly lit first-class compartment.”
Blok mainly describes the years of Russia's "ceremonial procession", but two quatrains, the first and the last, bring the reader back to harsh reality. Realism is the main feature of this poem.
It would seem that the famous stanza:
The carriages were moving along the usual line,
They trembled and creaked;
Silent yellow and blue;
In green they cried and sang, -
also confirms the hypothesis about the "realism" of the poem. But just here we see signs not of the usual realism, but of a capacious symbolic image. Blue, yellow, green cars (first, second and third classes) are not just real signs of a running train, but symbols of different human destinies. Some people are rich, others are poor: the color of the wagons reflects the position of people in society.
Every day, the same trains rush by, and this brings melancholy and sadness. The same sleepy faces flicker in the windows:
Get up sleepy behind the glass
And cast an even glance
Platform, garden with faded bushes,
Her, the gendarme next to her
People look at the world through the dusty, dirty windows of the carriages and, it seems, give this girl a “tender smile”, anyway, in a second they will be far away: “Slid - and the train rushed off into the distance.”
The image of the heroine is also symbolic. We do not know anything about her, except that she experienced the collapse of hopes for possible happiness. And when we return to the first stanza, one involuntarily thinks: is it not the outraged, “crushed” Russia itself that appears in the form of an unfortunate girl? Indeed, in A. Blok, she often appears in the guise of a woman in a colorful or patterned scarf. The deep symbolic meaning of the poem does not exclude such a reading.
In the poem "On the Railroad" you can find many other symbols. The railroad is a symbol of the path - fate. Depicting continuous rows of passenger cars, Blok sets the theme of the road, the life path of a person. People are constantly moving from car to car, someone is lucky, someone suffers the bitterness of defeat. People's lives are in constant motion. Train, locomotive, station - a symbol of a stage or moment of the journey. But the path, the road is also the harbingers of the outcome, to which each person moves, as if to a precipice. Maybe the poet perceived this outcome as death old Russia and the birth of a new one, which all the people were looking forward to. The railway is a sign of a terrible world, ruthless to people.
In most of the poem, the poet writes about the past, but it is inextricably linked with the present.
The color scheme of the poem is also interesting. The color of Blok's poetry is a means of expressing an emotional assessment, an attitude towards images. By color scheme the first and last quatrains contain practically no colors, they are colorless. In the past, in another world - a different flavor. Here are the “bright eyes” (lights) of the oncoming train, and the gentle, lively blush on the cheeks of this girl, and the multi-colored cars (apparently, the division into classes), Blue is the color of the sky, sublime is cars for the rich, yellow is bright, cutting eyes the color of warmth and at the same time of illness is the middle class, and green is the color of grass, proximity to the ground - third-class carriages. It is noteworthy that the view from the platform is completely different than the view from behind the windows of the cars. From within, the world is seen in faded, colorless tones. The only bright, sharp color in the car is scarlet. It can symbolize the blood, irritation, aggression and cruelty of these people. Forest trees grow outside, behind the forest there is a long platform, on it is a canopy. The color scheme is not muted, but quite calm. Green color trees, apparently a blue uniform of a gendarme and, most likely, a wooden platform. Block deliberately does not give "color" definitions to some words, giving the reader the opportunity to imagine this picture in his own imagination.
In the poem, the author uses the technique of reverse narration, that is, he begins with the death of the heroine, the tragedy, gradually revealing the previous events.
The most common artistic device in the poem is the epithet (“in an unmowed ditch”, “in a colored scarf”, “with a dignified gait”, “beyond the near forest”, “a long platform”, “bright eyes”, “a habitual line”, “bushes faded"...). They help to vividly imagine a phenomenon, an object, to feel the author's attitude towards it. “Desert eyes of carriages” is a phrase that combines two metaphors that create one holistic image. In the poem there is a comparison: “Lies and looks like a living ...”
From stylistic figures used by the poet, it is impossible not to note the anaphora:
He glided over her with a gentle smile ...
Slipped - and the train rushed off into the distance ...
So many bows have been given
So many greedy glances thrown ...
The alliteration of “whistling”, ringing sounds “zh”, “z”, “s” is most often used by Blok:
So rushed useless youth,
In empty dreams, exhausted
Longing road, iron
She whistled, breaking her heart.
It enhances the sound sensations from the noise and whistle of the cars.
There are a lot of dots in the poem "On the Railroad", which indicates the fragmentation of the situation, the possible continuation of the poet's emotions and feelings.
The poetry of Alexander Blok enriched Russian literature. Valery Bryusov spoke of Blok’s poetry in the following way: “Blok does not repeat other people’s themes, but with fearless sincerity draws the content of his poems from the depths of his soul…”

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Listen to Blok's poem Railway

Themes of neighboring essays

Picture for composition analysis of the poem Railroad

In the poignant cycle "Motherland", all the poems are filled with sadness and pain, boundless longing, which have embraced and not let go of Russia since ancient times. Only two works are devoted to the images of people, and not the Motherland as a whole. A. Blok spoke about the colorless life of a young girl. An analysis of the poem "On the Railroad" will be given below.

Under the measured roar of the iambic

There is a leisurely and, in fact, a terrible description of the existence of a young girl somewhere in the depths of Russia, who does not know how to keep the passing youth. Her painful daily arrivals at the station with empty hopes for some (what?) changes in life are shown. After all, she is “beautiful and young,” Blok characterizes her. On the railway, this will show) life will squeeze the heart and soul of the heroine with such unbearable longing that from the first stanza it is clear how terribly and quickly she will end her life and hopes.

In the swamp of life

In the terrible monotonous life of the heroine, there was only one entertainment - a trip in the evening, dressed up, to the station. The whole tedious lingering viscous day ended with the arrival at the fast train, through the windows of which one could look and see another life - bright and elegant. And her cheeks blushed, and the curl curled more steeply, and the heroine, standing next to the gendarme near the faded dusty bushes, was exhausted in empty dreams, bogged down in inertia. From afar I saw three bright headlights of a rushing train, and the cars, trembling and creaking, walked and walked past, without stopping, and longing tore my heart: again she was standing, useless to anyone. The train flashed by, looked at the cars - and that's it, and there's nothing else.

Sheer indifference, even scream, don't scream, no one cares about her. Existence without events takes place on a small station (and Blok vividly describes it), on the railway. Analysis of the poem says that the heroine has nowhere to put her strength, feelings, intelligence, beauty.

Only one time

Only once did the hussars pay attention to her, casually leaning on the scarlet velvet. Gently smiled, slipping his eyes - and nothing else was left.

Time does not wait, the train sped off into the distance. But for a second, she was appreciated. This is both beautiful and humiliating. Useless youth rushed like a train. And then what? And now there is nothing but dull monotony, except petty things that dull and coarsen the mind and soul. And then what? Is it really necessary to grow old so colorlessly so that no one rejoices at her lively, cheerful character and the tender charms of youth? Bitterness, regrets, hopeless melancholy, consuming the heroine, shows Blok ("On the Railroad"). Analysis of the poem does not allow us to hope for any changes in the life of the heroine.

sharp turn

How many times the poor thing had to go through the forest to the station, how many times it took to stand under a canopy, how many times a long platform was passed, only she herself and the Almighty know. After all, it was so irresistibly attracted from this quiet place to where life is seething and changing every day. And nothing happened. And then an instant desire came to end forever the sleepy fog of life (says Blok) on the railway. Analysis of the poem speaks of spontaneous, but not random decision the girls give a farewell smile and without desire, as if into a whirlpool, throw themselves under the train.

Terrible beginning and terrible end

Like a musical rondo, the first and last quatrains begin and end with an abruptly cut short, miserable, miserable life that has not even blossomed, and could not flourish in full force. And now, as if alive, with open fixed eyes, she lies in an unmowed ditch, having rolled down from the rails under the embankment. Actually, she died not now, but even then, when hopes were smoldering and with every passing day.

Physically alive, she was already dying when she threw greedy glances at the windows of the cars. What questions might arise for her now? And would a girl want to answer them? After all, no one cares. Everything is just empty curiosity. So Blok narrates ("On the Railroad"). The analysis of the poem only states, like a doctor, the fact of death.

Russia

Lonely and no one needs, neither herself nor people, the girl. But what about Russia without a daughter? She herself is a beggar, lies in a slumber, humiliated and wild. This is how I saw her at the crossroads, on the railroad Blok. The analysis done by the poet, like a scalpel, reveals its randomness and disastrous path. But it was precisely such that the poet loved and hated at the same time. Contradictory, with a heart drenched in blood, Blok looked with bitterness at what was happening on the railway. He carried out an analysis of Russian reality throughout the entire cycle of poems "Russia". “On the Railroad” is a piece of the puzzle that made up “Russia” - boundless longing.

The poet's heart is crying, blood is flowing from it on the Kulikovo field. And the artist himself does not know what to do with himself, let alone give advice and recipes to the children of Russia. One thing knows for sure that "the heart cannot live in peace," Blok. “On the railroad” (an analysis of the verse makes us understand this) is a piercing cry from the soul, tearing the hearts of both the poet and the heroine of the work. Vulgarity, savagery and age-old darkness triumph.

Reading Block aloud

Poems should be perceived by ear, like music, because only in this way can one hear sounds and understand, feel how images are formed.

Let's start with the language of metaphors. The cars, yellow and blue, are intended for wealthy people who can afford to travel in first and second class, which is not specified by the poet, and green ones are for poverty, because this is clear to contemporaries without explanation. In this quatrain, in addition, sound assonances and alliterations are interesting: the repeated syllables “li” soften the menacing sound of the wheels and make it more melodious. The soft repeated 10 times “l” in the quatrain about the hussar softens the inevitability of a fleeting meeting with the eyes of strangers to each other. Whistling and hissing "s" and "g" emphasize the rapid progress of the composition. If you carefully read and say aloud, then this expressive coloring will be heard. And the reception in the composition, when the denouement precedes the story, reinforces the image of the railway created later as a symbol of life's track, from which one cannot turn either to the right or to the left. The tenses of verbs are also important. In the first and last quatrains, the verb forms are used in the present tense, and this also reinforces its reverse composition. The image of the path, passing through the entire poem, becomes central, oppressive and deadening to a person. This is how Block "On the Railroad" is built. The analysis is given briefly. They can be added further.

The essence of the world in Blok is terrible and filled with flying evil, soulless and indifferent, human stupidity, hopeless, majestic, endless. But no, this is not the end, says the poet. There are also forests, glades, fogs, rustling in the oats. Beauty exists outside of people. It can and should be seen.

Poem A. Blok "On the railroad" begins with a description of the death of the heroine - a young woman. The author returns us to her death at the end of the work. The composition of the verse is thus circular, closed.

The name is symbolic. Let us recall that Anna Karenina, women who leave their homeland, die in Russian literature with a “railway-tram” death, - in M. Tsvetaeva’s poem “Rails”, not in “his” tram, that is, in a time alien to him, turned out to be the lyrical hero of the poem N Gumilyov "Lost Tram". The list could go on...

In the author's note to this poem, Blok testifies: "An unconscious imitation of an episode from Tolstoy's Resurrection: Katyusha Maslova at a small station sees Nekhlyudov in a velvet armchair in a brightly lit first-class compartment in the window of a carriage." However, the content of the poem, of course, goes far beyond "unconscious imitation."

In the first quatrain, Blok draws the image of a "beautiful and young" woman, whose life was interrupted in its prime. Her death is just as absurd and unexpected as it is absurd that now she, "in a colored scarf, thrown on her braids," lies "under the embankment, in the ditch ...":

She walked calmly, "ceremoniously", but how much restrained tension, hidden expectation, inner drama, probably, was in this. All this speaks of the heroine as a strong nature, which is characterized by the depth of experiences, the constancy of feelings. As if on a date, she comes to the platform: "Tender blush, cooler curl ..." She arrives long before the appointed hour ("walking around the long platform ...").

And the carriages "went in the usual line", indifferently and wearily "trembled and creaked". In the carriages, however, their usual life went on, and no one cared about the lonely young woman on the platform. In the first and second grades ("yellow and blue") they were coldly laconic, fenced off with an armor of indifference from the rest of the world. Well, in the "green" (class III cars), without concealing feelings and not embarrassed, they "wept and sang":

How humiliating, how unbearable these “smooth looks” must have been for the heroine of the poem. Wouldn't they notice her? Doesn't she deserve more?! But it is perceived by those passing in the same row with the bushes and the gendarme. The usual scenery for traveling by train. Usual indifference. Only in Blok's poem does the railroad become a symbol of modern life for the poet, with its meaninglessness of the cycle of events, indifference to man. General impersonality, deaf indifference to others and entire classes, and individuals gives rise to the emptiness of the soul, makes life meaningless. This is what "road longing, iron" is... In such a deadening atmosphere, a person can only be a victim. Only once a young woman flashed an enticing vision - a hussar with a "tender smile", but, probably, only irritated her soul. Since happiness is impossible, mutual understanding in the conditions of the "terrible world" is impossible, is it worth living? Life itself loses its value.

The author refuses to explain the reasons for the death of a young woman. We don't know, "it is crushed by love, mud or wheels". The author also warns us against unnecessary questions. If they were indifferent to her during their lifetime, why now show insincere, short-term and tactless participation.

Alexander Blok wrote this interesting poem in 1910. And it is interesting because the poet himself made a note that this is a kind of imitation of one of the episodes of Leo Tolstoy's work "Resurrection".

Speaking of the plot, it's a rather sad picture. The life of a young girl who hoped for happiness in life. But she only got death. It seems that the lyrical hero knew the young lady, watched her fate. He pities her, and at the same time, from some lines you can see that the girl herself went the wrong way in life. The action takes place on the platform of the railway station, where a young lady is trying to find a response in the hearts of passengers from the cars passing by. Why is she waiting for happiness in such a place? Why does it end up striding into the abyss of non-existence? Many questions arise as you read the creation of A. Blok. In advance, Blok writes the lines “Do not approach her with questions, you don’t care, but she’s enough.” It seems as if Blok wanted to say that the reader, like an indifferent passenger, will also sweep past when he finishes reading. And yet, it can be assumed that the girl was looking for happiness on the platform, because she hoped to find consolation at least with strangers, because she was lonely.

Very skillfully A. Blok selects expressions in his creation to convey the main theme. For example, in the seventh stanza there is a line "So useless youth raced." Such a catchy word “useless” makes it clear that no one needs the heroine, no one knows about her, only the lyrical hero and the reader turn their attention to the fate of the girl.

A sad fate attracts to the image of an unfortunate soul. Perhaps this is one of those poems in which it is not necessary once again look for meaning, it’s just worth paying attention to him as his heroine.

Analysis of Blok's poem On the Railroad

Alexander Blok wrote a work in the genre of a poem, which he called "On the Railway". This was done in 1910. Also, critics rank this work in his collection of poems, or a cycle called "Odina". And perhaps not without reason. Since there are many elements in the poem of the block, which in themselves are illustrations of Russia, which was not once revolutionary.

That is pre-revolutionary Russia- this is an important thing that Blok wanted to show in his work. In addition, the main characters are also present. She is a beautiful and young woman. Also, her lover. But from the very first lines of the poem, it becomes clear that she is dead. Since the plot is as follows - she died after she threw herself under the wheels of the train.

But the thing is, she did it on purpose. After all, the thing is that life is as hard as it seemed to her at that moment. Block further develops this idea, and readers see that everything is not so simple. After all, there was love, so strong and passionate, but everything seemed to die in one moment.

No wonder Alexander Blok chose such a plot. After all, it was inspired precisely by the works of Leo Tolstoy. Especially, the theme of works in which the main characters tragically die, and this is Anna Karenina, and even Sunday. These heroes died because shame came first for them, and also disappointment that people were not the same as themselves. Alexander Blok was able to present the plot in the poem in such a way that it does not look ridiculous or ordinary. Everything seems majestic, and very tragic.

But who the heroine herself is is difficult to understand. She is both beautiful and young, but of what origin is not clear. But there was one fact - this woman constantly and regularly came at the same time and at the same time to see off the eyes of the passengers getting off the train, and then sadly looked after the departing train. It was like this all the time, and then, on a normal day, she died, thus dying. What specifically made him commit this act - even the author himself does not know.

Analysis of the poem On the railway according to plan

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A.A. Blok, according to people who knew him well, had a colossal moral impact on those around him. "You more human and more than a poet, you are not carrying your own, human burden, ”E. Karavaeva wrote to him. M. Tsvetaeva devoted more than twenty poems to Blok, called him "solid conscience." These two assessments, perhaps, contain the main thing in Blok as a person.
A. Blok always very subtly felt the pulse of his country, his people, took to heart all the changes in the life of society. After the lyrical diary addressed to the Beautiful Lady, new themes, new images enter the poetic world of the poet. The landscape is changing: instead of mountain heights and radiant horizons, there is a swamp ligature or a city with its terrible ulcers. If earlier for the block there were only his personal experiences and his Heavenly Virgin, now he sees next to him people, tormented by need, lost in the labyrinth of a stone city, crushed by the hopelessness and hopelessness of poverty and lack of rights.
One after another, poems appear in which the poet expresses sympathy for the oppressed and condemns the indifference of the “well-fed”. In 1910 he writes famous poem"On the railway".
When you read this poem, you immediately remember Nekrasov's lines about the unbearably difficult fate of a Russian woman. The theme and idea of ​​the poem "Troika" are especially close. It seems to me that the plots and even the compositional organization of these works have something in common. Alexander Blok, as it were, picks up on a topic deeply and comprehensively studied by Nikolai Nekrasov more than half a century ago, and shows that little has changed in the fate of a Russian woman. She is still powerless and oppressed, lonely and unhappy. She has no future. Youth passes, exhausted in "empty dreams." In dreams of a decent life, of a faithful and attentive friend, of happy family about peace and prosperity. But a woman from the people cannot escape from the iron paws of need and overwork.
Compare with Nekrasov:
And why are you running so fast
Behind the troika who rushed after?
On you, akimbo beautifully,
A passing cornet looked in.
And here is Block:
Only once a hussar, with a careless hand
Leaning on scarlet velvet,
He glided over her with a gentle smile ...
Slipped - and the train rushed off into the distance.
Blok’s poem is more tragic: the girl threw herself under the wheels of a steam locomotive, driven to despair by “longing for the road, iron”:
Under the embankment, in the unmowed ditch,
Lies and looks, as if alive,
In a colored scarf, thrown on braids,
Beautiful and young...
The worst thing is that none of those around him attached special significance to what happened. “The carriages went in the usual line”, the unfortunate one was “looked around with an even look” and, I think, after a few minutes they forgot about what they saw. Indifference, heartlessness struck society. This society is sick, morally sick. The poem literally screams about it:
Don't approach her with questions
You don't care, but it's enough for her:
Love, sadness or wheels
She is crushed - everything hurts.
The poem is written in realistic traditions. A through image of the road passes through the whole work. The railway is not just a symbol of a difficult path, but also of hopelessness, the “cast iron” of existence and the deadness of the soul. The theme of "death on the way" appears in the poem from the first stanza and goes beyond the scope of the work.
The iambic pentameter alternates with the tetrameter one, creating some kind of monotonous and mournful rhythm, gradually turning into a monotonous clatter of wheels. The train in the dark turns into a terrible three-eyed monster (personification). The poet skillfully uses the synecdoche: "yellow and blue were silent, in green wept and sang." By the color of the wagons, we learn about their passengers. The rich people traveled in yellow and blue, and the common people in green.
The epithets correspond to the author's mood ("faded bushes", "habitual" line, "sloppy" hand). Vivid metaphors amaze with accuracy and originality (“desert eyes of carriages”, “iron” melancholy). Blok also draws in this poem a generalized image of autocratic Russia. This is a gendarme standing like an idol by the victim lying in the ditch.
After creating the poem "On the Railroad", Blok increasingly writes poems that are plot scenes about the fate of people ruined, tortured, crushed by circumstances, harsh reality. Everything deepens in the poet's work, the gap between dream and reality, the dull prose of life surrounds him with an ever tighter ring. The poet is not left with a premonition of an impending catastrophe, a feeling of the inevitable death of the old world. One of the main themes in Blok's lyrics is the theme of retribution - retribution to society, which fettered, froze, enslaved a person who threw under the wheels of his iron indifference young, young, strong people. After the poem "On the Railroad" he writes:
Nineteenth century, iron,
Truly a cruel age!
By you into the darkness of the night without stars.
Careless abandoned man!
****
Twentieth century ... even more homeless
More scarier than life haze.
(Even blacker and bigger
Shadow of Lucifer's wing) (From the poem "Retribution")