Autumn dream book Why dream of Execution in a dream? What does Execution mean - Seeing in a dream ...
Performed:
11th grade student
Nuradinova Farida
Supervisor:
Nikulshina V.A.
S. Podolkhi 2009
Yuri Vizbor's mother, Maria Grigoryevna Shevchenko, was born in 1912 in Krasnodar. Her parents also come from poor peasant families. Before the war, Yuri visited Krasnodar with his mother more than once. He later recalled how his grandfather brought two or three carts of watermelons bursting from the sun, all the relatives gathered, ate watermelons and sang songs that could touch the soul, it would seem, of the most insensitive person. Before the war, Maria Grigoryevna graduated from midwifery courses, during the war she worked at a sanitary and epidemiological station and studied at the 1st Medical Institute. Then she worked for more than 30 years in the USSR Ministry of Health, was a member of international medical institutions, and visited almost 50 countries of the world.
Polyphony of Yuri Vizbor
Yuri Vizbor's paternal grandmother, Antose Firevichute, was the daughter of wealthy parents. An opera singer, she refused to perform in front of the invaders during the years of the Nazi occupation. Yury Vizbor, an employee of the Krugozor magazine, learned about this from a letter from his own aunt, Antose Shimauskaite, who wished to find out if they were relatives.
In addition to what Yuri Vizbor told about himself in a comic introduction to his autobiography, a number of interesting touches should be added. His father, Iozas Ionasovich Vizboras (in Russian, Iosif Ivanovich), was born in 1903 in Libava, now Liepaja, Latvian SSR. Father's parents were people of unusual destinies. Ionas, the grandfather of Yuri Vizbor, came from small land peasants. Escaped from rural poverty, he goes to Libau to study, then works as a technician on the railway. For active participation in the revolution of 1905-1907 he was exiled to Siberia.
Yuri Vizbor's childhood fell on the harsh wartime and no less difficult post-war years, which undoubtedly had a decisive influence on the formation of his personality. Attitude towards war, loyalty to the duty of memory, continuity and connection of generations will then take an important place in his work: songs, prose, documentary films - the work of the representative of "late-to-war youth." Comprehending the origins of his worldview, Vizbor will say in the play “Birch Branch” through the mouth of one of its heroes: “In a canoe trip along the Zhizdra River, which flows in the Bryansk forests, we came across an amazing trail of war. A quarter of a century ago, a soldier hung a rifle on a birch. For a quarter of a century, it hung on this birch. The steel of the barrel was eaten by rust, the belt rotted. But the stock of the butt has grown to the birch and has become part of it, and young cheerful branches have already sprouted through this former stock to the sun. What was a weapon * of war has become part of the world, of nature. And then I thought that this "is - I, we, my generation, who grew up on the old, hard-to-heal wounds of the war ... The war killed not only those who fell on the battlefield. She was the harsh dawn of our post-war generation. She left us a legacy of early adulthood, liquid school vinaigrettes, fatherlessness, warrants for sandals, fights in school yards over stacks of firewood. The war was my enemy—a personal enemy.”
As for the spiritual factors that to some extent determined Vizbor's artistic tastes, these were folk songs that did not lose value at any time, songs of the war and post-war years (he was downright reverent towards the wonderful songwriter Alexei Fatyanov), finally , yard songs.
It is impossible not to say in this regard about the person who played a significant role in the song fate of Vizbor, about his peer, close friend Vladimir Krasnovsky. “There was no person in my life who would have had a greater influence on me than Volodya. At school he taught me to play the guitar. I entered the institute, and it was this one, only because of him, succumbing to his simple arguments. He taught me to love music, songs. He, and not the mythical “my glorious teacher,” taught me to love and understand literature,” Vizbor wrote about him in 1982.
Maxim Kusurgashev, Yuri Ryashentsev, Vyacheslav Onishchenko, Igor Motyashov, Vsevolod Surganov, Semyon Boguslavsky, Pyotr Fomenko, Yuri Koval have already studied at the Moscow State Pedagogical Institute named after V. I. Lenin, where Vizbor entered - today they are quite well-known people in literary circles . It was they who laid down certain traditions: they were engaged in football, volleyball, boxing, athletics, and ice skating. In a pedagogical institute, typically female, where the guys were innumerable, Vizbor had to compete in his first year for his literary department in eleven sports and six or seven for the institute. But, as expected, numerous hobbies have passed, but true love has remained.
Mountains became this love. They also wrote songs, usually to well-known melodies, no attempts to compose music were made at that time. Vizbor wrote his first song, "a super-romantic work", in 1952. The song was called "Madagascar", although it had nothing to do with the famous island. At that time, they were fond of Kipling, the exotic of distant countries, when everything seemed romantic. Well, the music of the song was borrowed from the performance of the Puppet Theater by S. Obraztsov “Under the rustle of your eyelashes”.
A little later, Ada Yakusheva, Julius Klim, Boris Vakhnyuk, Irina Altarzhevskaya, Valery Agrikolyansky, Vladimir Chernov, who came to the Moscow State Pedagogical Institute, picked up this wave of writing. Moreover, along with the amateur tourist-student song, interest in the folk song also grew, which practically introduced Vizbor to folk song traditions.
Hiking tourist themes, mountains became the defining themes of Vizbor's song writing until the end of the 50s. On borrowed melodies, often with the help of friends - S. Boguslavsky, I. Motyashov, M. Kusurgashev, Yu. Ryashentsev - such songs as "Bivouac", "Dawn rises over the river", "Traveling", "Farewell", “Again in Turgrad”, “Mountains shrouded in a blue haze”. The first attempts to create their own music for their poems also date back to this time. Together with Svetlana Bogdasarova, the author of music, Vizbor wrote "The Guy from Kentucky", "Karelian Waltz", "I wish I could live, comrades", "Farewell, Moscow!" “A quiet evening descended behind Kama”, “The rain again drizzles in the morning.” And here is the “independent” Vizbor, in all forms - both a poet and a composer: “Teberda”, “Blue Mountains”, “Little Radio Operator”, “Romantics”, “Evening Song”. In total, Vizbor wrote about forty songs by the year 60. Not all of them remained in the memory of the students, tourists of those years, not all were equal in artistic merit.
Wind in the hills. The blue of the valleys.
White, frozen bay.
Here he studied military life:
Sing songs, mint drill.
How can I repay you
My edge, infinitely blue?
I am not a guest counting the hours
I, a Muscovite, imagine - your son.
Vizbor served in Kandalaksha, became a radio operator. Traveled and flew all over the North. There was little time for writing, but the first publications appeared in army newspapers - stories, poems, a combatant song of signalmen (the music for it was written by the unchanging Krasnovsky, who served with Vizbor). In a word, there was a process of cognition of life, accumulation of experience. Subsequently, rethought, reworked passages from the poems were included in other songs.
Sergeant Vizbor was repeatedly awarded "for active participation in the work of amateur performances and a high level of performing skills." The Vizbor archive also contains a diploma for the second place in work at radio stations among sergeants at the district signalmen's competitions in 1957. The North, Karelia, Khibiny conquered Yuri Vizbor forever. Here is an excerpt from a poem written in the army:
For the Muscovite Vizbor, the north is part of the Motherland, part of life. The army is the time of formation and maturation, the time of affirmation of those human qualities that then determined his position in life.
After finishing his service, Vizbor returns to Moscow, where he begins working in the youth editorial office of the State Committee on Television and Radio Broadcasting. Working on the radio, mastering the profession of a journalist gave Vizbor a huge emotional charge for creativity, since he had to travel a lot around the country and meet people. And again, active mountaineering, meeting colleagues in the "song shop".
By that time, the tourist, student song (then there was still no well-established term “amateur song” today, although it does not quite correspond to the content of this phenomenon) developed rapidly. In his repertoire, Vizbor includes the best that was created by amateur authors. For a number of years (late 50s - early 60s) he was an active propagandist not only of his songs, but also of the songs of Yuli Kim, Ada Yakusheva, Bulat Okudzhava, Dmitry Sukharev, Evgeny Klyachkin, Novella Matveeva, Mikhail Ancharov and many others. Alexander Gorodnitsky admits that he still hears some of his early songs in the voice of Vizbor.
“There was a time - a short one, one and a half to two years at the end of the 50s - when it was he, who stood out brightly, as if emerging from the waves of the student song that was then widely overflowing, single-handedly captured the attention and hearts of the listeners. It was before Okudzhava, before Vysotsky, before Ancharov, before Kim, Koval and Novella Matveeva...” (L. Anninsky)
In the summer of 1959, the magazine "Physical Culture and Sport" informs readers about a meeting in the editorial office with Yuri Vizbor, who performed "peppy hearty tourist songs." The caption under the photo of Vizbor with a guitar is also remarkable: “the soloist is the tourist poet and composer Yuri Vizbor”; at that time, suitable words had not yet been found to somehow designate this new phenomenon in amateur art. And the name of Vizbor then (sometimes incredibly distorted), his songs were widely known among students and tourists.
Having declared himself primarily as a romantic of camp life, a romantic of roads, Vizbor sees that there are other songs nearby on this topic. And among the many tourist songs, there are not so many really valuable in artistic and ideological terms. “All-Union” sang “We are going to Uruguay”, “A girl from Easter Island” - this is exotic, and simpler - “Grandma Lyubka”, and completely without pretensions - “I have been a spoiled child since childhood”. Against the emptiness, vulgarity and bad taste in the song sports life, Vizbor speaks in 1959 with a feuilleton in the Musical Life magazine. And he speaks, in modern terms, constructively, formulating his program: you can eradicate trashy songs only with good songs. And he himself made an initiative in this matter: he writes “Dombai Waltz”, “Shkhelda”, “Mom, I want to go home”, “Moscow Region”, “Wolf Gate”, “Mountain Skiing”, “Khamar-Daban”, “Winter Camp” Alibek” and others. These songs are very different from the loud and empty “Uruguays” of “Easter Islands”. Quiet, lyrical, light and pure tones, sometimes with a hint of sadness, but not pessimism, with unpretentious, easily remembered melodies, they confidently pressed their predecessors.
At the same time, at this time, the tourist song already grows out of the size of his cowboy shirt, but does not wear a purple sequined jacket! An amateur song to this day is a song in a sweater, as Vizbor himself aptly noted. It's just that the range of topics raised by non-professional authors is getting wider. The song range of Vizbor himself is also growing: traveling on assignments from editorial offices around the country, being where great things are done, he brings songs from all these trips. Here are just a few of them: “My love, Russia”, “Okhotny Ryad”, “Astronomers”, “Moscow Winter”, “On the Rasvumchorr Plateau”, “Look for me today”, “Calm down, my friend, calmly”, “Let them bypass an avalanche for you”, “If I get sick” - to several altered poems by Yaroslav Smelyakov. “The greatest recognition for a poet,” Smelyakov later said in his speech on the radio, “when his poems become a folk song.” Vizbor gave a ticket to this nationality of the song.
Vizbor fought all his life with the means available to him for the approval of an amateur song, for its worthy place. While still a journalist for Krugozor, he spoke on its sound pages about the Leningrad "bards": A. Gorodnitsky, E. Klyachkin, B. Poloskine, V. Vikhorev. It was with his help that they again sang the “Brigantine” written by P. Kogan and G. Lepsky, written before the war. He sang in "Krugozor" the songs of warrior-alpinists "Baksanskaya" and "Barberry Bush". He invited non-professional composers V. Berkovsky and S. Nikitin to write songs for films, and this union was very fruitful. Vizbor has repeatedly been the chairman of the jury of various reviews and amateur song contests in many cities of the country. He opened amateur song clubs there, auditioned hundreds of participants at the preliminary selections, and supported talented ones. None of the authors of amateur songs knew so closely all the problems of amateur song clubs in Moscow and other cities as Vizbor. Yuri Vizbor with his clear life-affirming position and his lyrical hero are not thunderers, not heralds, not tribunes, not accusers and not prosecutors. They protect, console, encourage, inspire hope, infecting people with light, good.
Look for, look for my voice on the air
A little hoarse, there are reasons for that, -
After all, our tents are in the Pamirs,
And we are a little higher than these peaks.
The mountains generally gave Vizbor a powerful impetus to creativity. Most of his songs, and not only those related to the mountains, were written in the mountains: and "Khodiki", and "Season of Luck", and "Forty Years", and "River Tram", and "Polyphony".
Yuri Vizbor visited many mountainous regions of our country: the Caucasus, the Pamirs, the Tien Shan, the Khibiny, he also visited the Polish Tatras. In 1967, he could climb Lenin Peak, but an emergency situation developed on the approaches, and he had to bring the victim down. In 1977, in the South-Western Pamirs, he, together with his constant comrades, climbed one of the nameless peaks 5800 meters high, which they called Vasily Shukshin Peak by the right of pioneers. In his diary, he wrote on July 3: “Happiest day! Passed in the forehead couloir and went to the ridge. Huge snowfields. Vertex. The whole Pamir! And on July 5, a song appeared:
Vizbor's love for the mountains was mutual. He loved them and they loved him. Not those poetic blue-eyed mountains. The mountains for him had another side:
The mountain is first of all, you know, friends,
With whom you walk along a difficult road ...
Well, how can you tell what a mountain is?
A mountain is a sky covered with stone and snow.”
There is probably not a single climber, rock climber, skier who has not heard Vizbor's songs. And he himself knew, perhaps, all our known climbers and many unknown ones. In any climbing camp, he was a welcome guest. He saw off and met our team, who climbed Everest. His songs were heard in their base camp among the boulders of the Khumbu Glacier. “The same lines are spinning in my head:
“He loved strong, courageous and kind people and he himself was courageous and kind in his art” Bulat Okudzhava Bulat Okudzhava “He loved strong, courageous and kind people and he himself was courageous and kind in his art” Bulat Okudzhava Bulat Okudzhava
Yuri Vizbor was born in Moscow. Joseph Vizbor Father - Joseph Vizbor, the commander of the Red Army of Lithuanian origin, was repressed. Vizbor's father was a simple policeman, they lived in poverty. Someone wrote a denunciation on my father (they say a spy) was arrested, shot. Accused of counter-revolutionary crimes against the authorities, he was rehabilitated only posthumously. Maria Shevchenko Mother - Ukrainian Maria Shevchenko was a physician (midwife) by education. Antonina Yura also had a half-sister Antonina. After the arrest of her father, the girl was assigned to an orphanage for children of enemies of the people.
Yuri's childhood fell on the harsh wartime and no less difficult post-war years. played football, also attended the flying club While studying in high school, he was seriously involved in football, also attended the flying club, where he flew Po-2 and Yak-18. The boy wrote down all his impressions in verse in a student notebook, where he wrote that he wanted to become a football player or a pilot. At the age of 14, under the influence of “great love of principle” in a pioneer camp, he wrote the first poem that marked the beginning of his work: Today I yearn for my beloved I remember the happiness of the old days They swept past like clouds, But again passion burns in my chest.
In 1951, Vizbor graduated from Moscow secondary school 659, having failed in prestigious universities, he decides to enter the Moscow State Pedagogical Institute (MGPI) named after. V. I. Lenin. one of the centers of the emerging genre of art song In the early 1950s, the Moscow State Pedagogical Institute was one of the centers of the emerging genre of art song, and Vizbor immediately became the brightest representative of this genre. "Madagascar". In 1952 he writes his first song "Madagascar". In 1955, Vizbor received a diploma as a teacher of the Russian language and literature. After working for several months at school, he was drafted into the ranks of the Soviet Army. The mountains are lightly asleep, the Southern Cross climbed into the sky, The clouds descended into the valley. Be careful, friend, - After all, none of us have been here, In the mysterious country of Madagascar.
He was a radio operator Vizbor served in military units in the north, in Kandalaksha. By the end of his service he was a radio operator of the 1st class, the champion of the military district in radio communications. He composed poems and songs on military topics, published them in the newspaper. In October 1957 he was demobilized from the army with the rank of senior sergeant. “Blue Mountains”, “Little Radio Operator”, “Romantics”, “Dombay Waltz” The first songs in which Vizbor performed as a poet and composer were “Blue Mountains”, “Little Radio Operator”, “Romantics”, “Dombay Waltz”, ( became the hallmark of the bard song). “Little radio operator” ... But I said: “Hurry, catch my Wave. Let the dots and dashes Tell about love. » Radiogram list I sign: «I am a small radio operator From a big ship. ""Little radio operator" ... But I said: "Hurry, catch my Wave. Let the dots and dashes Tell about love. » Radiogram list I sign: «I am a small radio operator From a big ship. »
Journalist "Speaks Komsomoliya". After the service, he began working as a journalist. He was one of the organizers of the sound newspaper Komsomolia Speaks. Vizbor's songs, distributed in unofficial tape recordings, gained popularity among the intelligentsia - first in Moscow, and then throughout the country. In 1962 he took part in the creation of the Yunost radio station. "On the Rasvumchorr Plateau". In 1964 he created the genre of "song-reportage": "On the Rasvumchorr Plateau".
One of Vizbor's most serious hobbies all his life was traveling and mountain hiking. The poet was engaged in mountaineering, participated in expeditions to the Caucasus, Pamir and Tien Shan, was an instructor in skiing. (“And hoping for a true friend and skiing ...”, “Commemoration” Passion for mountain peaks and mountaineering was reflected in the songs (“And hoping for a faithful friend and skiing ...”, “Commemoration”, etc.) and made Vizbor's songs popular "Blue Mountains" I remember that winged land, There, in a merry crowd, the mountains converged at the green river, As if at a watering place. to the waterhole.
Vizbor played his first film role in 1966, starring in Marlen Khutsiev's famous film "July Rain". By Vizbor's own admission, when the director called him and offered to act in films, he took it as a hoax. However, for a non-professional actor, Vizbor's debut proved to be very convincing; and the role of the charming "man with a guitar", the seducer of girls, Alik, became one of his main successes. Diary of a School Director”, “You and Me”, “Belarusian Station” Later Vizbor regularly acted in films, in such films as “Red Tent”, “Beginning”, “Diary of a School Director”, “You and Me”, “Belarusian station "(1970). "Seventeen Moments of Spring". Vizbor played the role of Reichsleiter Martin Bormann in the television series Seventeen Moments of Spring.
Ada Yakusheva He was married three times. In 1958 he married the poetess Ada Yakusheva. Their daughter Tatyana became a television and radio journalist. Evgenia Uralova The second wife was the actress Evgenia Uralova. In this marriage, concluded in 1967, a daughter, Anna, was born. Nina Tikhonova The third time Vizbor married in 1974. He did not part with his last wife Nina Tikhonova until the end of his life.
At the beginning of March 1984, in the climbing camp, Vizbor wrote his last song, Tseiskaya. September 17, 1984 Vizbor died At the age of 51, on September 17, 1984, Vizbor died of liver cancer at the Moscow Oncological Center on Kashirskoye Shosse. He was buried at the Kuntsevsky cemetery of the capital.
“I left my heart in the blue mountains”, “Garden of Peaks” I believe in a seven-string guitar” and “... And my kindness pours on the deserts ...”, Records, cassettes, books of poetry and prose were released in 1986 “I left my heart in the blue mountains” , in 1988 "The Garden of Peaks", in 1995 "I believe in a seven-string guitar" and "... And my kindness pours on the deserts ...", in 1999 a two-volume poem, song and prose, CDs. "Open Winds" named after Yuri Vizbor. In the Ostashkovsky district of the Tver region, an annual festival of author's song "Open Winds" named after Yuri Vizbor is held. In Moscow (the "Pokrovskoye-Streshnevo" district) there is a sports club for climbers and rock climbers. Y. Vizbora.
He was drawn to people of brave and courageous professions: climbers, pilots, sailors, fishermen and astronauts. Behind the outward romance of conquering mountains or conquering space, there was hard work, fraught with risk, when every next second a person could look into the face of death. “Skis are standing by the stove” or “This is for men.” Mountains can be compared to a kind of litmus test. Here everyone is tested for decency, honesty and readiness to help a friend at any moment. “Skis are standing by the stove” or “This is for men.” “You are my only one”, “My dear”. Eternal and pure feeling of love. “You are my only one”, “My dear”. "Night Road" and "Goodbye, dear." It is customary to end many bard concerts with Vizbor's songs "Night Road" and "Goodbye, dear." Unpretentious words, no poetic sophistication, beauty of form - but how they take the soul and forever.
“Who was the first minstrel, bard, singing poet of our time?
Believe: Okudzhava. Even more often they say: Vysotsky. People have reason to think so. But to be fair, Vizbor stands at the origins, ”wrote critic Lev Anninsky. Obviously, the "very first" bard is impossible to calculate in principle - just as it is impossible to accurately name the first novelist, the author of the first elegy or the first poem. But let's leave, as they say, unnecessary disputes and think about it: what gave Lev Anninsky reason to declare Vizbor a person who "stands at the origins"?
Yuri Iosifovich Vizbor (1934-1984) was born in Moscow, lived in the Sretenka district, which he famously sang in the songs "Sretensky Dvor" and "Volleyball on Sretenka" (this is one of Vizbor's last works - a unique example of completeness and accuracy in recreating characters and fate whole generation). Vizbor studied at the Moscow State Pedagogical Institute, where he was destined to become the founder and leader of a peculiar school of student and tourist song. Ada Yakusheva (Vizbor's first wife), Julius Kim, and Boris Vakhnyuk belonged to this school. At the Moscow State Pedagogical Institute, there was that atmosphere, that unofficial audience, which left a unique imprint on the very appearance of the author's song. We can say that it was here that the author's song realized itself as a genre.
After graduating from the institute, Vizbor taught Russian language and literature in one of the schools in the Arkhangelsk region. He worked a lot in journalism, was one of the initiators of the creation of the radio station "Youth", the sound magazine "Krugozor". The poet developed a special genre variety - a reportage song (its most striking example is "Three Minutes of Silence"). Of particular note is the great role of Vizbor in the promotion of the author's song, the work of his comrades. He often performed songs by Okudzhava, Galich, Gorodnitsky, and many listeners in the 60s recognized these songs thanks to Vizborov's recordings.
Already in adulthood, Vizbor found himself as a film actor, playing roles in films by such different directors as D. Asanova, M. Kalatozov, G. Panfilov, M. Stolper, M. Khutsiev, L. Shepitko. The role of Bormann in T. Lioznova's television series "Seventeen Moments of Spring" brought him wide popularity among the audience. Vizbor also acted as a screenwriter, author of a number of theatrical plays. Was fond of painting. Not by hearsay, but from his own many years of experience, he knew the romance of mountaineering: it was Vizbor who was destined to create the most famous of the climbing songs - “Dombai Waltz”.
A man of a universal warehouse, a passionate love of life, Vizbor passed away early. In 1982, he wrote a song in memory of V. Vysotsky, sad, but full of faith in the triumph of true values, and just three years later, A. Gorodnitsky composed sad lines about Vizbor himself:
... We will not be remembered in the favorites -
We wrote poorly...
There is no sadder fate
The first roosters.
Together with Yura Vizbor
The end of an era
The time of our youth, Songs and poems.
Dombai waltz
Skis are standing by the stove,
The sunset fades behind the mountain
The month ends March
We'll be going home soon.
Hello gloomy days
Goodbye mountain sun!
We will keep forever
In the heart of this region.
We are escorted with you
Proud handsome Erzog,
We are waiting with you
Haze of distant roads.
And so the circle ends
Remember, hope, miss...
Snow flags of parting
Posted the old Dombay.
Why are you standing on the path?
Why don't you want to go?
We need to sing a song
We need to be less sad.
You are my only
You are my only one
Like the moon in the night
Like spring in a year
Like a pine in the steppe
There is no other like this
Beyond any river
No behind the fogs
distant countries.
In hoarfrost wires
At dusk in the city.
Here comes the star
To always shine
To burn in a blizzard
To make a bed
To rock all night
The cradle has a daughter.
Three minutes of silence
Water is knocking on the Kostroma ship,
A star sways in the networks of antennas,
And we stand and smoke - we must
Hear three minutes of silence.
All ships are silent in all seas,
The sea stations of the earth are silent,
And you're the key, buddy, don't knock -
Be silent for these three minutes.
Perhaps on which board the fire
A hole in the stern sharper than a knife?
Or maybe arctic ice
The ship is not released from trouble?
But silence floats like an ocean.
The radio operator said, "All right, captain."
Either autumn hits the antennas, then winter ...
Six points hit the ship "Kostroma".
Spring 1965
Money
Now talk about money
In any abandoned snow,
In ports, beds, trains,
Under every small zodiac.
-
Yuri Vizbor Date of birth: June 20, 1934 Place of birth: Moscow Date of death: September 17, 1984 Place of death: Moscow Occupation: actor, journalist, writer, screenwriter, playwright, poet, bard
Graduated from the Faculty of Russian Language and Literature of the Moscow State Pedagogical Institute. IN AND. Lenin in 1955. He worked as a teacher in the North, where he served in the army. He was a correspondent for the radio station "Youth", the magazine "Krugozor"; screenwriter at a documentary film studio. Journalist, film actor, poet and prose writer, playwright. Member of the Union of Journalists and Cinematographers of the USSR. One of the founders of the genre of student and tourist songs.
He began to write songs in 1951, with a few exceptions to his own poems. He was engaged in mountaineering, participated in expeditions to the Caucasus, Pamir and Tien Shan, was an instructor in skiing. Records, cassettes, books of poetry and prose were released (in 1966 - "Zero Emotions", in 1986 - "I left my heart in the blue mountains", in 1988 - "The Garden of Peaks", in 1995 - "I believe in the seven-string guitar" and "... And my kindness pours on the deserts ...", in 1999 - a two-volume collection of poems, songs and prose), CDs.
In October 1957, he was demobilized with the rank of senior sergeant and began working as a journalist. He was one of the organizers of the sound newspaper Komsomolia Speaks. Sergeant Vizbor was repeatedly awarded "for active participation in the work of amateur performances and a high level of performing skills."
In 1958 Vizbor marries Yakusheva, their daughter Tatyana is born. Vizbor's songs, distributed in unofficial tape recordings, are gaining popularity among students, tourists and the intelligentsia in general, first in Moscow, and then throughout the country. In 1962 he took part in the creation of the Yunost radio station. In 1964, he acts as the creator of the reportage song genre. Yuri Vizbor with his daughter Tatyana
Yuri Vizbor as Martin Bormann in Seventeen Moments of Spring. Hiking tourist theme, mountains became the defining themes of Vizbor's songs until the end of the 50s. Borrowed melodies were used to write such songs as “Bivouac”, “Dawn rises over the river”, “Travel”, “Farewell”, “Again in Turgrad”, “Mountains shrouded in a blue haze”.
In March 1984 Vizbor writes his last song "Tseyskaya". In just 33 years, more than 300 songs have been written and more than fifty songs based on his poems have been set to music by other composers. Since April, he has been seriously ill with liver cancer. September 17, 1984 Vizbor died in Moscow. He was buried at the Novokuntsevo cemetery in Moscow.
Another brainchild of Vizbor and his like-minded people on the radio is the first magazine in our country with flexible gramophone records - Krugozor. Already in the first issue in April 1964, Vizbor's reportage song "On the Rasvumchorr Plateau" appeared. Everyone was anxiously waiting for a response. Vizbor was also worried: how would readers and listeners perceive such an unusual form - a song-report?
Creative heritage Records, cassettes, books of poetry and prose were released (in 1966 - "Zero Emotions", in 1986 - "I left my heart in the blue mountains", in 1988 - "The Garden of Peaks", in 1995 - "I believe into a seven-string guitar "and" ... And my kindness pours on the deserts ... ", in 1999 - a two-volume collection of poems, songs and prose), CDs. On March 27, 2006, on Mount Cheget in Kabardino-Balkaria, during the VII Festival of Alpine Ski Author's Song "Prielbrusye - 2006", a memorial plaque was erected to one of the founders of the genre of author's song, the famous bard, actor, playwright, journalist Yuri Iosifovich Vizbor.
